Streaming

Listen to Shaarimoth‘s excellent metal of death in “Faceless Queen of Bloodstained Dreams”. We’ve already bowed to our new god. Now, it’s your turn.

80’s Brazilian thrashers The Mist are finally seeing the first North American and European release of their 1989 debut, Phantasmagoria. 

Before you put 2016 to rest, here’s one last black metal victory to serve as an elegy.

Replacire is a noun to describe when your calculator figures out that songs need memorable riffs and interesting melodies. 

Wiegedood traded atmosphere for aggression on “Smeekbede,” the first single from the band’s second album.

Condenados comes armed with traditional doom and a creepy music video.

Take a nine minute sojourn down into the dark vale of black metal’s unfathomed depths with Reykjavík’s Draugsól.

Meta is Car Bomb‘s second self-released record, and if you heard 2012’s cryptically titled w^w^^w^w then you probably know where this one is headed.  Spend a little time in Car Bomb’s headspace and you can be sure to either evolve or disintegrate into your very own pool of primordial goo.  And yes, both Joe Duplantier (of Gojira) and Frank Mullen (of Suffocation) lent their talents to parts of Meta.

Do you like Deathspell Omega? Of course you like Deathspell Omega! Everyone likes Deathspell Omega! But Deathspell Omega can’t always write and record Deathspell Omega EPs and albums. Good thing we’ve got Dodecahedron!

On new track “Anathema,” the Drip only grind in drops, but that’s when the hammer really drops. 

Class is in session, and old school death revivalists Sentient Horror are on the syllabus.

The new Beheaded album looks for a combination of sounds throughout the band’s career, including accompanying visuals that suit the music.

Exalt, for the wait to hear the new Panzerfaust album is over. Today we bring you the exclusive premiere of The Lucifer Principle, the fourth album from these Canadians in Satan’s Service. Warning: This material may be hazardous to your soul.

Listening to SEE? is like hearing colors while talking to a robot. 

Spazz is rereleasing a collection of live and studio recordings from 1995-96. 

Soothsayer continues to hone their hulking doom metal on “Of Locust And Moths.”

The Ominous Circle are as mysterious as they are impressive. 

More Agathocles!

So This Is Suffering drop the first single from their new record, Palace Of The Pessimist. 

Over the last three years Razorback Records co-owner/death-doom shredder extraordinaire Vanessa Nocera has unleashed an almost unfathomably insane amount of gore-festooned top-shelf extreme music via Surgikill, Wooden Stake, Cauldron Burial, and Howling — all while editing the underground horror culture mag Evilspeak.    

And, yet, as difficult as it may be to believe, there’s more enlivening, superior blood n’ bile in that well draw from: We’ve got an exclusive premiere of the rerecorded version of the riff-heavy Vaultwraith jam “Ravaged in the Crimson Mist” from the forthcoming 2017 full-length.

Hour of Penance continue their tradition of no-nonsense death metal as they prepare to Cast the First Stone. 

Nidingr say they were going for a simplified, yet equally as intense sound this time around. 

Check out the exclusive premiere of “Bastard Soldiers” for a taste of what’s to come when Spain’s Insulters finally drop their sophomore album, Metal Still Means Danger.

Scum recorded Garden of Shadows 20 years ago. It never saw the light of day, but now it has been unearthed and prepared for release. 

Syk takes on ideas of society and conformity with groovy riffs.

Occult rockers Albez Duz take us through their album, Wings of Tzinacan, track by track.

“Are you fucking kidding me?” is the question Call of the Void are asking on their new record. We’re not kidding that you should listen to “Get In The Van.”

Eye‘s Vision and Ageless Light is a retro psychedelic prog throwback that pays homage to the past while keeping it fresh.

Not only does Calgary’s Krepitus straddle the divide between death and thrash metal, but the quartet does so with an every-cloud-has-a-silver-lining thematic uniqueness. Sure, the world is fucked and we’re all fucked, but there’s no point in revelling in being bent over and reamed by the forces that be

Worm Ourboros is embracing a darker side on “(Was It) The Cruelest Thing.”