Sepultura

Founding Sepultura guitarist revisits old ideas on “The Confessional.”

Rising Portland, Oregon death metallers Vulnere mine some of the greatest extremely extreme ore of yore for killer track “And They Fall.”

Philadelphia-based author and graphic designer Scott Cole writes brilliant, reality-refracting dark fiction — and has an extremely extreme heavy metal writing playlist to match.

Sepultura‘s latest, Quadra, is Decibel‘s album of the week.

In which we explore the best of the ’80s thrash metal cover brigade.

Decibel contributor Forrest Pitts continues to ruminate on the inner self.

Analyzing Sepultura through a Buddhist lens.

Mexican-American deathgrinders Rottenness provide an update on their new album.

We catch up with Mantar‘s Hanno Klänhardt to find out what the five heavy albums that changed his life were.

UK hardcore riff-rebels Allfather incite revolutions and mosh-pits with their newest single “Citadels.”

In 1991, the New Titans on the Bloc tour brought together Sepultura, Sacred Reich, Napalm Death and Sick of it All in a traveling circus of violence and extreme-music melting-pot mania.

Max Cavalera opens up to Decibel about conspiracy theories.

We select the 10 best songs about giant monsters.

The subject header from Albert read: “top 5 idea”. The body read: “The greatest death metal albums marred by terrible production.” He then presents three albums, Reek of Putrefaction,  The Red in the Sky is Ours, and Breeding the Spawn. Immediately, I recognized a gold post idea if there ever was one.

Clenched Fist, the all-star Sepultura cover band featuring members of Pig Destroyer, Agoraphobic Nosebleed and Misery Index will perform at the post-Decibel Metal And Beer Fest show.

One writer picks five favorite Decibel web articles of 2016.

Decibel has complied 25 of our best Hall of Fame pieces into a brand new hardcover, limited-edition, hand-numbered anthology, exclusively available here.

The frontmen for each band—Ministry‘s Al Jourgensen, Helmet‘s Page Hamilton and Sepultura‘s Max Cavalera—share stories from one of the most oddly perfect mixes of diversified brutality in metal history. Get ready for tales of heroin, highway crashes and a puke-covered Eddie Vedder.

The Grindmother – the Canadian trio fronted by a 67-year-old grandmother – are back with a Sepultura cover. And Decibel‘s got it here. 

Brazilian trio takes thrash beyond their country’s (bloody) roots on “Hostages.”

With three rock-solid releases preceding it (one of which is an undeniable first-ballot classic) and two, shall we say, polarizing releases following it, Arise is the sound of Sepultura finding their sweet spot. Ranking the songs from “worst to best” is borderline insane as they all completely rip, but we did it anyway.

“Arise was the seed that exploded on Roots,” Sepultura guitarist Andreas Kisser thoughtfully notes. Those of you keeping score will note that this is Sepultura’s third dance with our Hall of Fame, a dB first.

We spoke with Mark Kloeppel of Baltimore’s Misery Index about his band’s contribution to the Flexi Series.  Misery Index’s song – a cover of Sepultura’s “Primitive Future” – can be found in our current issue (#135, January 2016, Lamb of God cover), but you can also check it out right here while you read Kloeppel’s comments on the recording’s origins and execution.

Brazil’s Crucifixion BR recently signed a deal with Horror Pain Gore Death Productions to release their debut full-length Destroying the Fucking Disciples of Christ. The Deciblog emailed with drummer Juliana Novo (aka DarkMoon) and singer/guitarist Marcio Guterres (aka Lord Grave War) to learn about all things heavy south of the equator. Tell us a bit…

“The weak pale in the face of both baking and metal!” Metalcakes proprietor Kathy Bejma declares when asked how she first came to realize heavy metal and cupcakes belonged in the same mixing bowl. “Plus ovens are like little mini hells accepting your sacrifice of unborn chickens, butter, and sugar…Occasionally I’ll get the How dare…

Before there was death-thrash or thrashy death, there was Sepultura, lovingly pronounced either Seh-poll-tour-a or Sep-ull-trah by many a hesher. Contrary to popular opinion at the time, Sepultura were not from the deepest parts of the Amazon or Brazil’s most violent of favelas.

Almost every band has that album: you know, the critically and/or commercially reviled dud in an otherwise passable-to-radical back catalog. Well, every Wednesday morning, a Decibel staffer or special guest will take to the Deciblog to bitch and moan at length as to why everybody’s full of shit and said dud is, in fact, The…

You picked Roy Z as a producer for Kairos. Why Roy?Andreas Kisser: Roy was a great choice for this album. He’s a very experienced produced, working with the best singers in metal. He’s a great guitar player. He’s a great musician, too. He more or less knows how to play his instruments. And he’s active…

December 16, 1996: It’s still an official day of mourning for hardcore Sepultura fans. After finishing a set at the London’s Brixton Academy, the Brazilian quartet headed backstage where an explosive band argument culminated with popular frontman Max Cavalera excusing himself from the group for good.