Decibel Magazine

Incantation takes you on a track-by-track tour of their death metal juggernaut Sect of Vile Divinities

At Decibel, we refer to today’s annual homage to consumerism as “Extra-Black Friday.” So, we’re happy to brighten (or darken) the day for our metalhead brothers and sisters via two free issues of Decibel.

Old Man Gloom drummer Santos Montano pens Part III of tour diary for the band’s postponed 2020 tour.

Old Man Gloom drummer Santos Montano pens Part II of tour diary for the band’s postponed 2020 tour.

Hear the new EP from international black metal historians Departure Chandelier.

This month’s Decibel Meter withstands the fall of time, but not quite at the the heart of winter, for a summer/winter battle courtesy of Abbath.

Erik Rutan to fill in for Cannibal Corpse guitarist Pat O’Brien on the Decibel Tour.

Cannibal Corpse, Iron Maiden, and High on Fire are far better uses of your Black Friday cash than a TV. Come on, you know it.

War Moans
Everybody Wants Some!!
dB rating: 8/10

Demonization
Lock’n like Dokken
dB rating: 9/10

Severed Monolith
On the chopping block
dB rating: 8/10

Our resident birdbrain is back to tackle the new Obituary, Warcrab and Waldgefluster. 

Saxon have enjoyed a prolific career, with a multitude of live albums. Inspired by their upcoming vinyl box set, The Vinyl Hoard, Season of Mist’s Greg Karlowitsch ranks Saxon’s already released live albums from worst to best.

dB got in touch with Tom Angelripper, bassist and vocalist of thrash heroes Sodom, to talk about the legendary band’s new album, Decision Day, and the state of the world today.

Publicist UK vocalist Zachary Lipez provides a rebuttal to Jeffrey S Podoshen’s recent guest editorial on “Social Justice Warriors” the metal scene.

New titles from Moonspell, Cult of Luna, Alice Cooper and more!

Ok, Happy Fourth of July. You know, like, it’s  that day and all. GOATWHORE release Constricting Rage of the Merciless. Let’s not really discuss the title, as I don’t know what it means. Produced by Erik Rutan, this definitely has a full sound, full of clarity and definition without losing any teeth (or beak, in this…

by Etan Rosenbloom 500 words an issue is barely enough to spell my name, let alone introduce an entire sector of the music industry in the monthly Killing Is My Business column we introduced in Decibel issue 110. That’s why we’ll be posting occasional interviews and supplementary materials right here on the Deciblog. The idea is to explain…

by Kim Kelly Phil McSorley has no interest in talking about Cobalt, and would appreciate it if people would stop fucking asking him about their recording plans. His frustration is understandable, given that he’s just weeks away from the release of his pet project’s first demo and he’s still being bombarded by questions about his…

by Kim Kelly Earlier this year, it seemed as though Canadian black/death Satanists Weapon were still at the top of their game. 2012 saw the release of Embers and Revelations, their most ambitious album to date and their debut for heavyweight label Relapse. They’d hit the road for a successful North American tour with Marduk…

The masters of the macabre are back, and finally getting their due. AUTOPSY are dropping the utterly filthy The Headless Ritual. To be honest, they aren’t breaking any new ground here, but this is a pecking cool record. If you’re a fan of these guys, you will not be disappointed. If you’re not a fan,…

Well, we’re in the start of the summer, so that means some new stuff is finally coming out. Here we go. MEGADETH‘s Supercollider. This thing sucks butt. You really have to check out Mustaine’s review of his own record. It’ll make you want to punch yourself in the dick, or laugh. This is the audio…

by Kim Kelly Richmond We’ve got a super-short drive today, so we wasted as much time as possible before hopping back in the van and firing up The 40-Year-Old Virgin. Josh brought along a bunch of brainless DVDs, so between those and Michael’s unwavering dedication to picking on Josh, it went quickly. Richmond is a…

by Kim Kelly As far as American black metal goes, Cobalt have got the market cornered on that classic “convoluted, vaguely threatening backstory” angle. The Colorado duo emerged in 2003 after the demise of Phil McSorley’s solo project, Grimness Enshroud, and quickly armed themselves with a sparse but jaw-dropping catalog. Through Cobalt’s raw, artful compositions…