Kevin Stewart-Panko

Exhorder‘s groundbreaking Slaughter in the Vatican is inducted into the Decibel Hall of Fame.

While Long Beach, CA-based post-hardcore menaces, Struckout may still may be a couple months out from the July 20th release of their self-titled third album, the band and its new label, Postmark Records are doing an early, full court PR press. The advance announcement was made a couple weeks ago, pre-orders are already available and…

There are many things in life that will instantly put a stupid smile on my stupider face. New material from Chicago’s Nequient is one of those things.

June 15th sees the vinyl re-issue of Mouth of the Architect’s The Ties that Blind. Today, we pay our respects in comprehensive, Decibel style with drummer Dave Mann and former guitarist/vocalist Gregory Lahm.

The world premiere of Shaving the Werewolf’s “Ass Above, So Below” from their new album, One Way to Dick City

After their appearance in a recent Throw Me a Frickin’ Bone column, Philly’s Hellrad sent a none-too-pleased-with-you email to Decibel HQ. This opened a broader discussion about the different frustrations experienced by journalists and indie bands.

Next week sees the release of The Apostates, the seventh album by Parisian black metal shapeshifters, Glorior Belli, a band with a history reaching back over 15 years when they came to life as a Norwegian worshipping whirlwind. With time has come change as band leader Billy Bayou – also known by the less swampy…

Shining a spotlight on Moscow’s classically informed, melancholic post-rockers and their second album, Achromata.

Lee Dorrian discusses his band Septic Tank and the impact hardcore punk had on his life.

Sketchy business practice or a necessary evil? Decibel examines the practice of merch cuts in extreme metal.

An interview with Taken vocalist and issue #162 Reader of the Month, Ray Harkins

Time to listen to some killer Dutch born and bred grind.

Watch a new video from the explosive God Complex.

Kreator‘s Pleasure to Kill is inducted into the Decibel Hall of Fame.

Listen to some new jams from this colossally crushing Cambridge duo.

Stream the new Agathocles/Existench split now.

What’s unique about the seventh release of Ghold’s discography is not only the psychedelic swirl and caveman crunch they combine under leaden hoof, but also that the trio has trusted the release of the new album to local heavy metal specialist record shop’s first label release.

As Übergang absolutely wear their influences on their sleeves, we decided to ask them about the influences they literally decided to wear on their sleeves.

Tomorrow sees the release of the debut album from thrash/death newcomers, Odious Icon. Today, we’re offering up the album’s lead-off and title track for your listening consideration.

It’s the least we could do.

Stream this pissed-off collection of covers from Facada now.

Dead is Dead write patient songs with a metallic edge with a slight lean towards the darker side of post rock.

Tom Gabriel Fischer, Ian Christe, Dayal Patterson and a host of authors and publisher discuss the rise of authoritative books in extreme metal.

Here, you get to read the full complement of questions and answers with Dead Cross that was the forerunner to what made it to print in the October issue.

We present the top five songs in which Raw Power discusses Raw Power.

You obviously won’t come out of this exercise knowing the usual informational nuts and bolts about Protosequence, like their history and how they formed, but hopefully this will shine some light onto the band’s creative process.

A couple months ago, with an almost devil-may-care, casual shoulder shrug, one of my all-time favourite bands in the history of forever, Italian hardcore legends Raw Power, quietly released their new album. We caught up with vocalist Mauro Codeluppi to discuss growing old, not giving a shit and the time they played with G’N’R.

Today we’re going to give you a break from sonic extremity, but still keep things hard and rocking, with a Swedish band rocking out like they’re showcasing their wares at a Fourth of July picnic and playing under a row of now-considered-politically incorrect confederate flags.

Let’s lighten the mood a little bit around here, shall we? And let’s do it without easing up on the calamitous and chaotic noise.

Progressive sludge/noise rock with comparisons to Neurosis, Old Man Gloom and Amenra? I’m sold!