grindcore

In our first on-location podcast, we infiltrate the sordid underworld of Scott Hull’s Visceral Sound studio to talk Pig Destroyer, Agoraphobic Nosebleed, the Decibel 100 show and much more. Featuring:Pig Destroyer “Rotten Yellow” (Live from Decibel’s 100th Issue Show)Pig Destroyer “The Bug”Agoraphobic Nosebleed “Merry Chrystmeth”Pig Destroyer “Junkyard God”

There has never been a shortage of bands in extreme music eager to wed horror cinema imagery to brutal riffage, but few have ever managed to do so with as much skill, class, or cleverness as avant grinders Corn on Macabre. A few months back the defunct band unleashed the towering, essential Discographic Violence retrospective…

Three guys in pig masks? While we’d like to think that Purify the Horror were channelling the heist scene from BMX Bandits when they were working on their aesthetic, but it’s probably the whole anonymity thing that they were going for. Apart from the mortal threats issued during said bank job, the “Australian Goonies” doesn’t…

Albert and Andrew interview Decibel publisher Alex Mulcahy and talk shop with members of the three bands leading the 2013 Decibel Magazine Tour–Paul Mazurkiewicz of Cannibal Corpse, Shane Embury of Napalm Death and Ross Dolan of Immolation.   Featuring: Immolation “All that Awaits Us”Cannibal Corpse “Crucifier Avenged”Napalm Death “A Gag Reflex”

New week; new grind, folks. . . And this one’s a doozy, all the way from Switzerland and four years in the making. Courtesy of the good people at Relapse, we’ve got an exclusive premiere stream of Flies Will Starve from Mumakil. It is kind of ironic for a band who made their name with…

Last September the frenetic Ventura, California quartet P.O.O.R. — i.e., Point of Our Resistance — released Extinction of Trust, which just so happens to be one of the great grindcore records of the last several years. Yet despite featuring members/ex-members of Fatalist, Dirty Dead, Decrypt, Stump, and Burning at the Stake, and a slew of…

Sometimes in the face of overwhelming shittiness, we need a little something to distract us. We suspect that a pretty large number of our brethren (and sistren, or whatever…) are currently without the ability to log onto the Interhole at the moment thanks to Sandy but for those who are, here’s something that is completely…

What else could New Mexico nerve-shredders Noisear have named their forthcoming album? Turbulent Resurgence kinda sums everything up nicely; in the year since the release of the near free-jazz grind lunacy of Subvert the Dominant Paradigm, the band have shed some serious personnel and had to regroup and re-focus. But despite the changing of the…

Noisear’s debut Subvert the Dominant Paradigm was one of the finest grind albums to scar the planet last year. It was remarkable: not only was it a nerve-shredding compendium of white-hot dissonance, skronky grind and blast that recalled by-gone genre royality Discordance Axis, but it was written and recorded in little over a day. Maybe…

If this sounds like the rambling of an old fart, so be it: kids have it too easy these days when it comes to underground music. If you have a laptop and spare time you have unfettered access to pretty much every rare treasure recorded during the past four decades of metal and punk. That…

Welcome to the first installment of VERSUS, an online segment where we’ll stream exclusive tracks from new records that have piqued our interest, head to head, and let you, dear reader, referee the fight in the comments section. To sweeten the deal, the commenter who makes the most persuasive case for his or her preferred…

Human Cull are a gnarly grindcore trio from the United Kingdom who deal largely in 30-second riff-salvos. Guitarist and vocalist Edd Robinson admits as much that the band’s entire canon will be fast and crusty, but dammit he’s a humanitarian, it’ll be memorable too. Brevity in grindcore song structures was hardwired at the genre’s birth…

Sitting in on rehearsals when London (-ish) death-grind crew Oblivionized first started it was kind of hard to see where they were going. Powered by former drummer Jonathan Rushforth’s hyper beats, with guitarist Sammy Urwin riffing under the creative direction of vocalist Zac Broughton, it was technical death metal at a time when technical death…

Speaking to Terrorizer frontman Anthony “Wolf” Rezhawk just before comeback LP Hordes of Zombies dropped, there was a lot that needed thrashing out. Firstly, there was the prospect of the Californian grind crew getting back together again after founding member Jesse Pintado’s death in 2006. Also, drummer Pete “Commando” Sandoval’s well-publicized back trouble, which has…

Before getting round to talking about the imminent reissue of Napalm Death’s now 25-year-old [iconic/seminal/etc.] debut Scum, the Deciblog is engaging Mick Harris in a discussion about his favorite fish—the barbel. You see, Napalm Death’s drummer from the years between ’85 and ’91 has long since put his sticks down, and—in his words—has dropped out…

You’ve got to love and admire the optimism of people in the UK. While limited releases are a staple practice in underground music, adding both that exclusivity/collector appeal and some fiscal security, British grind champs The Atrocity Exhibit took it to, uh, extremes and limited the supply of 2011 faceripper Grind Over Matter to a…

Singapore grind trio Wormrot’s sophomore UK tour Evisorax was the sort of faceripper that had the usual confederacy of punk and metal extremists out in force, complete with dogs on strings, and the usual anarcho-patched collective. The Deciblog could only witness first-hand the fireworks-indoors intensity of tour finale in London, but enlisted band manager Azean…

This is a borderline case of premature ejaculation in the press/hype sense that the Deciblog maintained an unblinking vigil on Birmingham, England grind progenitors Napalm Death for news of the long-awaited follow-up to 2009’s Time Waits for No Slave, and ran like a fucking gazelle with a hot poker in its ass, straight to the…