Editorial

To celebrate the release of Soilwork‘s new EP, A Whisp of the Atlantic, we caught up with guitarist David Andersson to find out what five heavy albums changed his life.

It’s a live-record showdown between Judas Priest and Iron Maiden in the latest Fight Fire With Fire.

Dark psych rock outfit Molassess (ex-The Devil’s Blood) dig into the vaults to list the Top 5 Records That Changed Their Lives.

To celebrate the release of their new album, Carnival of Killers, we caught up with Macabre guitarist/vocalist Corporate Death to find out what five heavy albums changed his life.

It’s the big Brazilian 1987 showdown with Sarcófago‘s I.N.R.I. vs. Sepultura‘s Schizophrenia.

Revisiting Living Sacrifice‘s 2000 groove-metal album The Hammering Process to give it the second chance it deserves.

Oceans of Slumber frontwoman Cammie Gilbert offers wise words of empathy and unity as a woman of color in a white, male-dominated scene. She is a metalhead like all of us.

It’s Hellhammer vs. Bathory in the ultimate 1984 battle of extremity.

Thirty years ago Anthrax released the thrash metal apotheosis Persistence of Time, a timeless record which remains as beguiling and potent as ever.

Draugr, the multi-instrumentalist of the U.S. black metal bands Galdr, Ancalagon and Obscurum, pens an op-ed on his anti-racist political awakening in underground black metal.

Pitting Accept‘s Balls to the Wall against Ozzy Osbourne‘s Bark at the Moon in the ultimate classic-metal showdown.

Ripped to Shreds frontman Andrew Lee addresses the work that needs to be done in fighting dangerous stereotypes against Asians and Asian-Americans in underground metal.

It’s Rust in Peace vs. …And Justice for All in the ultimate thrash showdown.

1995 wasn’t merely a great year for the extremely extreme — it was also an amazing trip around the sun for metal-adjacent music.

Decibel dives deep beyond the Peaceville Three with this death/doom addendum to our our new Decibel Yearbook: 1995 issue.

To celebrate the release of Dream Squasher, the new album from sludge kings -(16)-, we caught up with guitarist Alex Shuster to find out what five heavy albums changed his life.

Or, Through a Speaker Rumbly ’95. Decibel travels somewhere on tape with this adendum to our our new Decibel Yearbook: 1995 issue.

In which Neill Jameson reconsiders Amorphis‘s controversial 1996 prog-metal gem Elegy.

To celebrate the release of Satan Is King, the new record from power-violence-grinding punks ACxDC, we caught up with vocalist Sergio Amalfitano to find out what five heavy albums changed his life.

To celebrate the release of Vader’s new album, Solitude in Madness, we caught up with vocalist/guitarist Peter Wiwczarek to find out what five heavy albums changed his life.

Psychedelic black metal heroes Oranssi Pazuzu pick their Top 10 krautrock/psych/prog rock LPs. Find out what made the cut.

Carach Angren frontman Seregor lists his five favorite horror movies. Give in to his unconventional picks and the monster that is new album, Franckensteina Strataemontanus.

Botch‘s We Are the Romans and The Dillinger Escape Plan‘s Calculating Infinity go head to head in the ultimate metalcore showdown.

The impact of the COVID-19 pandemic is reshaping the global economy by the hour. There are few certainties, but Krieg’s Neill Jameson offers some ways to help your favorite artists in the metal scene.

Krieg’s Neill Jameson gathers some facts on the recent public backlash against Rage Against the Machine‘s high-priced concert tickets

Pitting Heartwork against Slaughter of the Soul to find out once and for all which is the better album.

We explain why ZnöWhite‘s 1984 debut, All Hail to Thee, absolutely rules in the return of The Lazarus Pit.

The final installment of our five-part countdown of the Top 50 grindcore and powerviolence releases of the decade

As we close out the decade, Decibel has an infernal correspondence on the demise of relevant major-label metal

Everyone’s doing it, so why can’t he? Check out our longtime columnist and Krieg frontman’s 10 best from the past 10 years.