Full Album Stream: Destroyer of Light – “Degradation Years”
April 2, 2024 Emily Bellino
Long-running Austin doom purveyors Destroyer of Light embrace their ’90s rock influences on their final album, Degradation Years.
Blast Worship: Munter
April 2, 2024 Gene Meyer
U.K. face-peelers Munter bring the crusty D-beat madness via The Off-Licence.
Track Premiere: Altar of Gore – ‘Carrion Womb’
April 1, 2024 Emily Bellino
One man black/death metal Altar of Gore gets primitive on new song.
Death/Doom Warriors TZOMPANTLI Return! PRE-ORDER New LP ‘Beating the Drums of Ancestral Force’ on Decibel-Exclusive Vinyl!
March 29, 2024 Decibel Magazine
There are only 100 copies of Tzompantli‘s new LP, Beating the Drums of Ancestral Force, on exclusive blue-and-purple-merged vinyl. Get one EXCLUSIVELY via Decibel!
CITY OF CATERPILLAR to Release Exclusive New Track, “In the Tall Grass,” via the Decibel Flexi Series
March 29, 2024 Decibel Magazine
Get your deluxe Decibel subscription by Monday, April 1 to obtain this HIGHLY LIMITED flexi disc single from Richmond post-hardcore legends City of Caterpillar.
WATCH: FOLTERKAMMER and WITCHING Vocalists on Black Metal, Influences and More in This Exclusive Video Interview
March 29, 2024 Michael Wohlberg
Two of avant-garde black metal’s exciting new voices have much to discuss.
Video Premiere: Semuta – ‘Glacial Erratic’
March 28, 2024 Emily Bellino
Portland sludge duo Semuta party with the Portland metal scene in their new video.
Video Premiere: Julia Gaeta’s “Blur Divine”
March 28, 2024 Justin Norton
Hear Julia Gaeta‘s musical evolution via the dark wave/post-punk/trip-hop of new track “Blur Divine”
Interview: Morta Skuld Finally Get Their Due on ‘Creation Undone’
March 28, 2024 Addison Herron-Wheeler
Morta Skuld guitarist/vocalist Dave Gregor about the band’s latest album, Creation Undone. We unpack the record, the process, and how it feels to finally get some recognition.
Full Album Stream: Suffer – “Grand Canvas of the Aesthete”
March 27, 2024 J. Andrew
“We wanted to have one last chance to make a Suffer album that sounded the way every Suffer recording should have sounded.”