How We Roll #1 with Venom Inc.
July 11, 2016 Justin Norton
Welcome to the first installment of an occasional Decibel blog feature called How We Roll. In this series, we’ll look behind the scenes to see what bands bring on the road to make extensive touring more comfortable (or more forgettable). Our first guests: Venom Inc.
Q&A with ex-Emperor/The Wretched End main man Samoth
July 11, 2016 Chris Dick
We sit down with the Wretched End‘s Samoth to discuss In These Woods, From These Mountains and why it’s different from its applauded predecessors.
For Those About to Squawk: Waldo’s Reviews the New Periphery LP Without Hearing It
July 8, 2016 Blake Harrison
Though he does actually listen to the new Scour and Defeated Sanity albums. We think.
Full Album Stream: Lord of War- “Suffer”
July 8, 2016 J. Andrew
A precision bomb of extraterrestrial proportions.
Demo:listen: Violent Scum
July 8, 2016 Dutch Pearce
On this week’s Demo:listen, we revel in the riffs of Santiago’s Violent Scum.
Horseback Ride Again With New Track “Lion Killer”
July 7, 2016 Albert Mudrian
Horseback‘s new LP Dead Ringers is out next month, but we’ve got a brand new track from it, “Lion Killer” for you right now.
Justify Your Shitty Taste: Terrorizer, Everything After “World Downfall”
July 7, 2016 Greg Pratt
If we could all stop worrying about World Downfall for a goddamn minute, we’d realize Terrorizer‘s output after it was really pretty awesome.
Hall of Fame Countdown: Slayer’s South of Heaven
July 7, 2016 Matt Solis
It’s weird to think of any Slayer album as “transitional,” as they all share the same basic sonic sensibilities (namely, the sound of your skin being flayed from your quaking bones), but if there’s any record that marks a clear turning point in their career, it’s 1988’s South of Heaven.
Video Premiere: Psalm Zero – “Not Guilty”
July 6, 2016 Adrien Begrand
On July 15 New York City band Psalm Zero will release their second full-length Stranger to Violence on Profound Lore Records. If you’re not familiar already, we’re great admirers of singer/songwriter/multi-instrumentalist Charlie Looker’s project, which beautifully blends the martial, industrial tones of Godflesh, the post-punk melancholy of Depeche Mode, and the rainy-day doom ‘n’ gloom of Katatonia.