Entombed’s dual 25th anniversary Clandestine concerts could be coming to a small screen near you. 

“I Have Seen Hell And It’s White” is an instrumental rollercoaster, capturing excited and calm, collected energy throughout the song. 

Since the mid 80s, Paul Speckmann has been snarling his sardonic vitriol over pummeling riffs, and over thirty years later he seems less likely to stop than ever. We caught up with the Chicago-born, ex-pat inveterate death-thrasher in an attempt to figure out how, to this day, he remains such a potent force in the international extreme metal scene.

Very little is funny about Aum and their heady/dirty death offensive, Om Ah Hum Vajra Guru Padma Siddhi Hum, but get your ears on this if you like dense, ugly destruction that also finds time to paint with a little light.

MONO have spent the past almost-two decades crafting vibrant soundscapes and instrumental rock albums. The upcoming Requiem for Hell, MONO’s ninth studio album, treads similar territory.  In a video for the title track, the Japanese instrumentalists tell, visually and audibly, an exhilarating yet terrifying story. The entirely black and white video features a man running…

Dust Bolt have released a music video for “SickxBrain,” giving plenty of screen time to their moshing fans.

Experience pure sonic violence with Trap Them‘s Crown Feral, then recover from your beatdown with a macabre arts & (darker hand)crafts lesson from vocalist Ryan McKenney. 

Ulver traded their wolves’ skin for electronica and trip-hop 16 years ago. Are you over it yet?

Temple of Phobos
Cower power
dB rating: 8/10

Our resident birdbrain tackles the new Trap Them and Sword releases, while imagining what the new Neurosis LP might sound like.