Justify Your Shitty Taste: Immortal “Blizzard Beasts”

December 9, 2016

We revisit Immortal’s transition stage between two regions of Blashyrkh.

DECIBEL’s “Under the Tree, Under the Wire” Subscription Special Now Available!

December 9, 2016

Order this special Decibel subscription and get your first issue and a holiday card in time for Christmas! 

Demo:listen: High Command

December 9, 2016

On this week’s Demo:listen, we march under the crimson banner of revenge into the heart of Secartha to take back the throne with Worcester, Mass’ High Command.

Impetigo talk new Ultimo Mondo Cannibale cassette reissue

December 8, 2016

Here comes Ultimo Mondo Cannibale again, so we caught up with Stevo from Impetigo to get the scoop on this classic death/grind album rising from the dead.

Track Premiere: Dodecahedron, “HEXAHEDRON – Tilling The Human Soil”

December 8, 2016

Do you like Deathspell Omega? Of course you like Deathspell Omega! Everyone likes Deathspell Omega! But Deathspell Omega can’t always write and record Deathspell Omega EPs and albums. Good thing we’ve got Dodecahedron!

Pallbearer, With New LP Imminent, Headline Decibel’s 2017 Preview Issue

December 8, 2016

Pallbearer‘s third LP is still month’s away, but you can read all about it — and the rest of the year ahead – in our 2017 Preview Issue. Advance copies are available now. 

Track Premiere: The Drip, “Anathema”

December 7, 2016

On new track “Anathema,” the Drip only grind in drops, but that’s when the hammer really drops. 

TRACK PREMIERE: MUSTER UP THE COURAGE TO CHECK OUT COWARDICE’S “ERODING ETHOS”

December 7, 2016

Prefer your doom nasty and crusty as fuck? Well, you’re gonna absolutely love capital-“C” Cowardice then. (Your level of adoration for lowercase-“c” cowardice, on the other hand, is a personal matter, but do feel free to confide what you feel you must in the comments section below…) The New Jersey quintet’s admirably expansive and unpredictable debut full-length Without Condolence strives, roughly speaking, to bridge the gap between early Paradise Lost, Black Sabbath circa Vol. 4, and latter day Gorguts — a perfect backdrop for vocalist John Jones’ feral blackened death shriek-growl-shriek.