It’s only fitting that on the eve of Metal Blade—the home of metal legends like Cannibal Corpse, King Diamond and Gwar—stepping out of its comfort zone to release the new Astra record, we’ll now go consecutive weeks mentioning Mahavishnu Orchestra. You see, to celebrate the upcoming release of the San Diego quintet’s sophomore effort (which…

** Fear Factory’s The Industrialist is out June 5, 2012 on Candlelight Records. We spoke to frontman Burton C. Bell about the record’s storyline. “I am a being… My existence has value… My purpose right now is to relate my witness, without any bitterness or partiality, the motives of my present reality.” We can only…

http://vimeo.com/37255948 Andrew Bonazelli is one of those shitheads who in school would do his homework on Friday so he had his weekend free while you were happy to sweat it out until 1st Period Monday. But that sort of ridiculous work ethic is how the man can be Decibel‘s managing editor, blog guru, social media…

Ever wondered what the Liverpudlian quartet SSS did when they weren’t thrashing and crossing over? We did, too. We also just wanted to use the word “Liverpudlian.” Weird word obsessions and juvenile humor aside, apparently the folks over at Vice (along with Vans) decided to document 24 hours (more or less) with with the band…

There could have been no better producer for We Are Knuckle Dragger‘s debut album than Steve Albini

On Friday we brought you the minutes from an interview we were lucky enough to conduct with Triptykon frontman, Celtic Frost/HellHammer mainman Tom G. Warrior while he was on tour with Cannibal Corpse, Enslaved and Job for a Cowboy. Warrior seemed pretty ecstatic just to have the opportunity to play music, and that’s something that…

OK, Behemoth have the authoritative death-black hybrid thing perfected. Watain has done — via literal death garb and all sorts of illicit/disgusting ingestion stuff — for black metal what the Norwegians wanted to do. The Devil’s Blood has the whole occult folk-rock-doom triangle on lock, which corresponds somewhat nicely to Watain’s own occult aspirations/bloodlust. And…

Welcome to The Lazarus Pit, a biweekly look at should-be classic metal records that don’t get nearly enough love; stuff that’s essential listening that you’ve probably never heard of; stuff that we’re too lazy to track down the band members to do a Hall Of Fame for. This week, we head to the ever reliable…

Tom G. Warrior was opting out of the press circuit while haring through the UK on last week’s Defenders of the Faith tour with Cannibal Corpse, Enslaved and Job for a Cowboy, but the Triptykon mainman granted the Deciblog an audience. Of all the times we’ve been in the company of Warrior since the Celtic…

I’m going to be brutally honest with myself and you, gentle reader, and come clean here. Folks, while I consider myself a fan of Belgium’s Rise and Fall, self-reflection regarding my actions during their last seven years of existence illustrate that I may not be as big a fan as I thought I might be….