That Tour Was Awesome – Botch/Jesuit/The Dillinger Escape Plan (1998)
For this installment of That Tour Was Awesome we’re going to submit for your consideration a 1998 tour that was as awesome as it was not-so-awesome.
For this installment of That Tour Was Awesome we’re going to submit for your consideration a 1998 tour that was as awesome as it was not-so-awesome.
Hailing from Kentucky, Pissed On’s forthcoming The Hanged Man EP promises to be one of grindcore’s most jam-packed releases in 2017.
On this week’s Demo:listen, with a little help from some of our friends, we look back on 2016, a year of great demos.
On this week’s Demo:listen, we are visited by the ghost of Underground Metal Present in the form of the UK’s Spectral Apparition.
Says David Hall: “I almost died making this video….I passed out and woke up covered in beer and bong water and all the candles I had set up had been knocked over, but luckily they landed in a puddle of my urine and didn’t burn my tits off.”
Decibel synch up with Dark Tranquillity vocalist Mike Stanne and guitarist Nik Sundin to discuss Atoma and the events that allowed it to be the great album it is.
The man who is thankful for everything in his life but his Football Team.
Not only does Calgary’s Krepitus straddle the divide between death and thrash metal, but the quartet does so with an every-cloud-has-a-silver-lining thematic uniqueness. Sure, the world is fucked and we’re all fucked, but there’s no point in revelling in being bent over and reamed by the forces that be
An in-depth conversation with Québécois doom-death outfit Norilsk.
Deathblow Productions director/writer Ryan Oliver revels in B-movie bliss in Child Bite’s “Vermin Mentality” music video.
For the past four years, Tasmanian black metallers Ruins have been working on their fifth album, Undercurrent. Without the pressures of most bands–writing, recording, touring–frontman Alex Pope, drummer Dave Haley, guitarist Joe Haley, and bassist Kai Summers were afforded time and space to realize their latest black metal vision.
The new Sepulchral Curse song is a 10-minute epic that will conclude the band’s EP in December.
In which I discuss heavy metal, Sword & Sorcery fic, Manilla Road, the modern hardcore scene, and much more with Jason Tarpey, vocalist of Texas’ toughest epic heavy metal band, Eternal Champion.
Yeah, the Cubbies look pretty good, right?
Stream Cardinal Wyrm’s upcoming album Cast Away Souls and read a Q&A with the band.
After sixteen years of silence, the Swedish epic heavy metal duo, Quicksand Dream, return with their sophomore full length, and we’ve got your first peek with an exclusive stream of “The Girl from the Island.”
Another addition to the growing number of festivals exploding out of the Western Canadian woodwork as of late is Edmonton’s Black Mourning Light, set to be held at the Rendezvous Pub in the town that Wayne Gretzky built on October 21-22.
Cambridge, MA tattoo shop/art gallery Eridanos hosts Dan Seagrave’s mind-bending swarm of winged creations.
Whether we’re talking his innovative, grotesque artwork for seminal bands like Morbid Angel, Suffocation, Autopsy, and Dying Fetus or the uber-brutal death metal he’s summoned from the grave for decades via outfits such as Excrescent, Unburied, The Soil Bleeds Black, Grave Wax, and Macabra, it’s difficult to imagine a more legit motherfucker in the extreme music underground than Mark Riddick. And anyone who doubts this is going to have their hands full in a couple months attempting to wrestle with Epicedia, the gnarly, epic, forward-thinking-yet-utterly-feral masterpiece from Riddick’s solo project Fetid Zombie.
Justin Pearson (The Locust, Retox) is no stranger to the road. Dude has been staring at blacktop and lane dividers in the name of playing dive bars and assorted shit holes around the world for ‘round about 20 years
Autopsy madman Chris Reifert’s Violation Wound project has our vote.
For the first time in western Canada in a long-ass time, and for the first time on one stage ever, hoser headbanging heavyweights…
When metal-inspired ideas leave the guitar behind and embrace their ebony/ivory duality, you get Goatcraft. In this interview, you get more Goatcraft.
For Nate Garrett, the healing power of heavy riffs is nothing new. Many know the Arizona-based musician as the guitarist in Gatecreeper and Take Over and Destroy, but 2016 introduces a new chapter in his musical career: the one-man doom project Spirit Adrift. With the release of the band’s debut LP, Chained to Oblivion, a mere week away, we caught up with Garrett to talk about the events that led to its creation.
Belgian death-grind outfit Aborted just celebrated their 20th Anniversary. Well, last year they did. But think of it. 20 years of death, grind, and chopping up listeners into little sanguine bits. The group’s new album, Retrogore, isn’t too far removed from its predecessors, but where it stands on its own, is in the songwriting.
Under a Better-Than-Average Moon.
You probably didn’t hear traditional metal powerhouse Damien Black in 1992, so, here’s a second chance.
Scale
Rejoice, potential lovers of proper Gothic psychedelic shoegaze lounge metal
dB rating: 8/10
If we could all stop worrying about World Downfall for a goddamn minute, we’d realize Terrorizer‘s output after it was really pretty awesome.
The Armstrong Metalfest has grown from humble beginnings to be a regular mainstay with its south-central BC location making for a popular summertime destination for fans and bands alike. We tracked down co-founder Jesse Valstar to get the low-down.