Interviews
Label Spotlight: WAR Records
September 18, 2017 Emily Bellino
Get to know WAR Records, run by Strife guitarist Andrew Kline.
Ben Chisholm, Chelsea Wolfe’s Secret Weapon
September 18, 2017 Joseph Schafer
Decibel caught up with longtime Chelsea Wolfe collaborator Ben Chisholm to talk about Hiss Spun, playing Blood Moon sets with Converge and more.
Bob Rock on Metallica: “I didn’t cater to what they were. I catered to what they wanted to do.”
September 18, 2017 Chris Dick
Legendary producer, engineer and musician Bob Rock discusses working with Metallica and the way that producing records has evolved over time.
Bloodstrike’s Holly Wedel on Putting a New Spin on Classic Death Metal
September 15, 2017 J. Andrew
Death metal upstarts Bloodstrike issued an impressive debut. We discuss what to expect on the follow up, Execution of Violence.
New documentary explores rocky relationship between Christianity and heavy metal
September 14, 2017 Greg Pratt
Can Christianity and heavy metal really be compatible? The new movie Metal Missionaries aims to find out.
From the Dead Gray Ashes: An Interview with Harvey Milk
September 13, 2017 Sean Frasier
Harvey Milk are back with new uncompromising sludge/noise and a new outlook on fan interaction.
Full Album Stream: Hate Moon’s “The Imprisoning War”
September 12, 2017 Daniel Lake
Despise stars. Loathe planets. Abhor meteors. Detest nebulae. Hate Moon.
Label Spotlight: Tofu Carnage Records
September 11, 2017 Emily Bellino
No animals were harmed in the making of this week’s label spotlight on Tofu Carnage Records.
A Q&A With Implore’s Gabriel Dubko
September 11, 2017 Chris Dick
Decibel sits down with Implore bassist/vocalist Gabriel ‘Gabbo’ Dubko to find out more from one of the best new bands on the planet. “Subjugate” is a must-hear!
Maniac: “Why Not Support Some Good Underground Bands Instead of Just Talking Sh#t?”
September 8, 2017 J. Andrew
Ex-Mayhem vocalist Maniac collaborates with Cult Never Dies’ Dayal Patterson.
Demo:listen: Drenched
September 8, 2017 Dutch Pearce
On this week’s Demo:listen it’s a slow and heavy clobbering from Illinois’ Drenched.
Track Premiere & Interview: Primitive Man – ‘Commerce’
September 7, 2017 Emily Bellino
Stream a crushing new track from Primitive Man and read an interview with vocalist/guitarist Ethan McCarthy.
Interview With Dead Cross: The Raw Materials Version
September 7, 2017 Kevin Stewart-Panko
Here, you get to read the full complement of questions and answers with Dead Cross that was the forerunner to what made it to print in the October issue.
Fest Alert: Descendants of Crom
September 5, 2017 Dutch Pearce
Get the latest details on Pittsburgh’s upcoming doom, sludge and heavy metal festival, aptly titled Descendants Of Crom, from this interview with festival organizer, Shy Kennedy.
Argus: Full Interview With Butch Balich
September 5, 2017 Daniel Lake
Argus will release their fourth full-length record this week. Get in here and find out all about it.
Mosh Pit Mishaps and the S-Word: An Interview with Akercocke
August 30, 2017 Sean Frasier
British extreme metal experimentalists Akercocke speak about comeback record Renaissance in Extremis and more in an extended interview.
Talkin ‘Bout Flex: Today is the Day
August 29, 2017 Daniel Lake
Find out what Steve Austin of Today is the Day has to say about his recent contribution to Decibel‘s Flexi Series.
Ides of Gemini: The Stories Behind Women
August 25, 2017 J. Andrew
Ides of Gemini shed light on the women who inspired Women.
Deconstructing the Doom Side of the Moon: An Interview with Kyle Shutt
August 25, 2017 Decibel Magazine
Doom Side of the Moon is a doomed-out interpretation of Pink Floyd’s classic The Dark Side of the Moon. Read an interview with bandleader Kyle Shutt (The Sword) to find out what makes Doom Side tick.
Leng Tch’e return with career-defining “Razorgrind”
August 24, 2017 Greg Pratt
Belgian grinders Leng Tch’e are about to drop Razorgind . Could it be their career-defining album?
An Interview with Maim
August 22, 2017 Emily Bellino
Read an exclusive interview with Maim about writing their new album, Ornaments of Severity as a two piece.
Wolves in the Throne Room Outtakes: Dayal Patterson and Panopticon’s Austin Lunn
August 22, 2017 Daniel Lake
Two scene scholars sound off about Decibel cover stars Wolves in the Throne Room.
Keeping It Old School: An Interview with Gods Forsaken
August 21, 2017 Emily Bellino
Decibel talks to Gods Forsaken about the present and future for the old school supergroup.
Demo:listen: Cryptorchidism
August 18, 2017 Dutch Pearce
On this week’s Demo:listen we hear some shit we’ll never un-hear from Atlanta’s Cryptorchidism.
Q&A: Epica’s Isaac Delahaye
August 16, 2017 Emily Bellino
Read an exclusive interview with Epica guitarist Isaac Delahaye on the band’s upcoming US tour and his extreme metal background.
Julie Christmas and Cult of Luna’s Johannes Persson Talk Upcoming “Mariner” Tour
August 16, 2017 Shawn Macomber
Swedish perception-expanding post-metallers Cult of Luna and singular, legendary Made Out of Babies/Battle of Mice vocalist Julie Christmas bring their extraordinary 2016 collaborative effort Mariner to North America for “the first and last time.”
Full Album Stream and Interview: The Convent Horror of Attic’s “Sanctimonious” Concept Album
August 16, 2017 Sean Frasier
German metal force Attic rock the convent with mystery and murder in their mercyful Sanctimonious concept record.
Extreme Reading: An Interview with Author Dean Swinford
August 14, 2017 James Basile
Read an interview with extremely extreme author Dean Swinford on his new book, Death Metal Epic: Book II: Goat Song Sacrifice now!
Black Moon Rising, A Q&A With Jonathan Hultén
August 14, 2017 Chris Dick
Decibel caught up with Tribulation guitarist Jonathan Hultén about his first solo singer-songwriter record, due out this month.
Cormorant’s Matt Solis: “We’re Always Looking to Explore New Sonic Territory”
August 11, 2017 J. Andrew
Being a progressive band worth listening to brings two challenges. First, the band must be willing to explore and weave different styles together in a compelling way. Second and perhaps most importantly, the sound should still be tethered to some recognizable form that audiences can use to relate to the music. The music can’t just…
