Living Like a Runaway: Q+A with Lita Ford
Lita Ford is the undisputed Queen of Heavy Metal, and after reading her long-awaited autobiography, Living Like a Runaway, I can say one thing’s for certain: Heavy lies the crown.
Lita Ford is the undisputed Queen of Heavy Metal, and after reading her long-awaited autobiography, Living Like a Runaway, I can say one thing’s for certain: Heavy lies the crown.
In honor of Mother’s Day, Decibel is exclusively premiering the song “Mother” from Lita Ford’s new album Living Like a Runaway
Christmas (and Cult of Luna) comes early to Europe this year in November.
Waldo pecks it out about babies, goats, weapons and veins.
Our resident video game expert counts down the titles that bring the metal.
Every metalhead has a few skeletons in their respective closet. And by skeletons, we mean musical skeletons not anything particularly untoward or, possibly, illegal. Growing up first on pop music, then on cock rock, and then with thrash, death, black, and every fucking sub-genre (and sub-sub-genre) offshoot, it’s pretty easy to see and hear where…
Pardon me if I’m a little distracted this morning, I just saw Slayer last night, and say what you will about Kerry and Tom heading out with a pair of hired ringers in Gary Holt and Paul Bostaph, but their all-oldies setlist warmed the cockles of this 43 year-old’s heart. No fewer than six Metal…
Well, as the year comes closer to ending, the releases are slowing down. Maybe not so much right now, but soon enough, so don’t be surprised if your old boy Waldo starts “pecking”a bunch of stuff he doesn’t really like . So, here’s all of the hate that’s fit to beak. Ten years of TOXIC HOLOCAUST. Say…
Metallica were wise to wait several years before making their first promotional music video. Having experienced it first hand—waiting patiently for a metal video to pop up so we could capture it on our VHS recorder—we can attest to the fact that the dawn of music videos in the early ’80s was the worst. Especially…
If you’ve read Cry Now, Cry Later or one of J. Bennett’s many (read: nearly all of them) cover stories for Decibel, you’re probably familiar with the dude. He writes like he’s on some sort of drug, but actually it’s just the rarefied air he breathes. Unlike the rest of us hobbits (i.e., 6′ and…
While it may not be a slow day in the world of news as it pertains to extreme music – Pennsylvania “fuckrock” band Gods & Queens are still fuck rocked in Europe; Mexican gore grinders Rottenness are, last I heard, still stranded in Texas on tour after spending the money they allotted to get home…
The drummer and metal publicist is ready to squad up when you are.
Ground take on mental health with candor and blast beats.
Scottish black metal project Ashenspire demolish power structures on their new LP, Hostile Architecture.
British doom legends Cathedral celebrate three decades of Hall of Fame album Forest of Equilibrium.
Fallow Heart makes a concerted effort provide a glimpse of some of Nuno Lourenço’s work in a more linear and sober fashion.
Analyzing Sepultura through a Buddhist lens.
Decibel reviews Brothers in Farms by Brasserie de la Senne and Two Roads Brewing.
Judas Priest will hit the road without guitarist Glenn Tipton, but the band remains great in his absence.
xXx Fanzine editor Mike Gitter explores the release of his new book, xXx Fanzine 1983-88: Hardcore & Punk in the Eighties.
To honor the passing of extreme metal legend Martin Eric Ain, we present the Hall of Fame feature on Celtic Frost’s 1984 debut Morbid Tales in full.
In just 163 pages Nathan Carson’s new novella Starr Creek brings together hesher teens, D&D-obsessed 11 year-olds, bikers, cult members, hillbillies, a crazy demonic goat, a hell of a lot of drugs, and a big monster in a crazed collision of Lovecraftian weirdness and, best of all, macabre fun.
Speaking with Kriscinda Lee Everitt and Shawn Macomber for a behind-the-Monsters look at what it takes to put together such a righteous benefit anthology, which now spans two volumes!
Upon learning that Tom and Jim Morris have been in the process of downsizing their operation, we at Decibel had to get all the dirt straight from the Morrisource. We tracked down Tom Morris for his thoughts on the move and his studio’s past and future in the industry.
Washington, D.C.’s Free Children of Earth singer/guitarist/lyricist Jason Yawn has a lot on his mind and we wanted to not only stream his band’s new album, Terminal Stasis this week on the blog, but also give Yawn a forum to deliver a track-by-track explanation and analysis which, despite your opinion and position on the matters at hand, make for some excellent and thoughtful reading.
Four demos from four new bands to satisfy your itch for something strange.
Six months ago, Google mandated that we remove the hate speech contained in comments for interviews that editor-in-chief Albert Mudrian and staffer Justin Norton conducted with (respectively) Inquisition (May 1, 2014) and Daniel Gallant (May 5, 2014). At the time, we were unable to delete those comments, so we simply took the interviews down. Now we’re able to better moderate the Deciblog, so here are the interviews as they were originally printed.
A few months ago, French grinders Nolentia and stoner doomers, Drawers were invited to participate in 2015’s edition of the long-running Brutal Fest, an annual tour that brings European bands to Cuba. We got in touch with Nolentia guitarist/vocalist, Ghis and Drawers drummer Olivier Lolmede to get an account of the experience.
A little over a year ago, we debuted a stream of Wrekmeister Harmonies’ You’ve Always Meant so Much to Me, a harrowing piece of modernist drone from mastermind JR Robinson (the Alan Moore-looking dude above). We dug it a lot, so we are super psyched to let you know that he’s already recorded a follow-up,…
There are certain bands I’ve only seen in specific settings, and in some cases it’s something where I’d like it to stay that way. I’m sure some readers might relate. For instance, I’ve seen Sodom four times, all on a cruise ship, and it’s gotten to the point now where the notion of seeing the…