Well, as the year comes closer to ending, the releases are slowing down. Maybe not so much right now, but soon enough, so don’t be surprised if your old boy Waldo starts “pecking”a bunch of stuff he doesn’t really like . So, here’s all of the hate that’s fit to beak.
Ten years of TOXIC HOLOCAUST. Say it ain’t so. Well, the toxic one, Joel Grind, has released Chemistry of Consciousness on Relapse, and your fine feathered friend is willing to say that it’s the most well-rounded TH album to date. That’s not to say that it’s a departure; far from it actually. This is a nasty piece of thrash, and thrash it is. Not breaking any new boundaries, this does come across as having a little more breadth than previous releases, mostly by referencing earlier anarcho-punk and the first wave of U.K. hardcore. This is a downright nasty slab, and to call it just plain thrash doesn’t give this enough credit, so credit where credit is due. Grind’s vocals are filled with distorted razor-shredding vitriol, and the production is forceful and clear without sacrificing any intensity. There are some “slower” jams, which aren’t slow at all; they just stand to make the absolute shredders all the more shredding. The LP comes with a blotter sheet too. Peck this thing up. 8 Fucking Pecks
CONVULSE release Evil Prevails on Svart, and this is a record that fans will both love and hate, not just in general, mostly at the same time. Convulse started off releasing the classic death metal record World Without God, and, well, this isn’t it. This isn’t a bad release, but it definitely shows the band’s age, and is a passable death metal record. There are some riffs and moods that are reminiscent of bands like Grave, and then some that remind the listener more of avant jazz, or rock passages, just more watered down. I hate to give a review that has the vibe of “you like this if you like it, and won’t like it if you don’t”; however, that’s really where I stand on this. I WANT to like it more than I do; I just think it’s pretty beaking boring and kind of goes nowhere. So, uh, yeah I guess I don’t like it. 4 Fucking Pecks
The Bitch Is Back by LITA FORD is an utterly worthless cover record of Elton John’s record of the same name. (No, it’s not, but I haven’t listened and neither should you). 1 Fucking Peck
Need some gothic doom rarities? Well, you’ll never guess what PARADISE LOST have in store for you. This is one of those things that’s usually a stopgap between records to try to remind fans that the band still exists, so Tragic Illusions 25 is more than likely that. This is a collection of tracks that have been released, but are difficult to find. Spanning their career, there is at least ONE new track on this. I dunno, I typically don’t get too excited about things like this, and this is not the exception. I find this bland and unappealing, but I’ve never been a huge fan of the band, so I’m not going to hate on it. But I WILL say this is for fans, hardcore fans only. Gothic doom rarities… sure… 5 Fucking Pecks.