Search Results for: call of the void

SOUNDTRACK TO AN ECLIPSE: EXCLUSIVE SUN WORSHIP STREAM & INTERVIEW

This morning we’re streaming Elder Giants, the paradoxically ultra-dark debut full-length from German black metallers Sun Worship — a roiling, nasty, multi-layered beast which, already much-beloved in Europe, at long last receives its North American release next week.

EXCLUSIVE CLIP: GOVERNMENT ISSUE BURNS BRIGHT IN DC SCENE DOC “SALAD DAYS”

You just got good at hauling off and hitting someone. I wasn’t born and raised to do this — I’m a guy from Northwest. I went to private school. This really isn’t part of my metabolism. But it became it…

So muses Henry Rollins in an particularly epiphanous scene amidst Scott Crawford and Jim Saah’s relentlessly edifying Salad Days: A Decade of Punk In Washington, DC (1980-90) — a documentary those of us who seemingly never tire of listening to Rollins and Ian MacKaye fondly recall Georgetown Haagan Dazs days and night street fights with punk hating meatheads were going to watch regardless, but which also happily proves to be an epic, smart, admiring-yet-not-uncritical and — above all — fresh exploration of a seminal moments in time packed with insights and anecdotes that will likely surprise even those who know both Dance of Days and Banned in DC chapter-and-verse.

They Did It All for the Nookie: Decibel Explores the Rise and Fall of Nu-Metal

The intro is long. Nearly 50 seconds without tipping its hand. A new band should be terrified to open a record like this, worried that potential listeners will get bored with a lone ride cymbal and high, jangly guitar chord. And it’s certainly not something a discerning producer is going to throw on the radio. But then comes that growl—Are you reeeeeaaaady?!—and you hear a musical revolution being born… Which then died, less than a decade later.

HALL OF FAME COUNTDOWN: PESTILENCE’S CONSUMING IMPULSE

For “Pestilence By Beemahr” — my short story detailing the grotesque comeuppance a mad perfumer-cum-exterminator receives at the tiny, multitudinous feet of a surprisingly sentient army of flesh-eating gypsy moth caterpillars amidst an egg-web festooned apocalypse, which is available today in the Grey Matter Press rock n’ roll-themed horror anthology Savage Beasts — I drew inspiration from the human-body-as-insect-incubator track “Out of the Body” from Pestilence’s towering sophomore album Consuming Impulse:

STREAMING: Blaze Of Perdition “Near Death Revelations”

In life, that which doesn’t kill you makes you stronger. Back in 2013, Blaze of Perdition were traveling through Austria and were involved in a major car accident that left members severely injured and bassist Wojciech “Ikaroz” Janus dead. Uncertain whether to carry on, Blaze of Perdition invoked the power of the Elder Gods—both benign and malign—and asked them one question: should Blaze of Perdition continue to sing the praises of “Luciferian Illumination”? The weak-minded would’ve come away from the confrontation confused and bereft. Not Blaze of Perdition. They respectfully mourned the loss of Janus and vowed, with ensorcelled swords and overflowing blood chalices held high, to return to the lands of the blackest metal, spiritually and physically rejuvenated.

Throw Me a Frickin’ Label Hack: Polish Dream-Black Mornië Utúlië

Poland’s one-man, one-woman (and thus, probably Church approved) blackened frost-treaders Mornië Utúlië offer one of those perfect blends of intent, image and music.  Calling a black metal record Sny (Polish for “dreams” and, coincidentally – thanks Google Translate – Afrikaans for “cuts”) and draping the cover in a field of stars certainly sets up expectations that this might be a toothless, undistorted bliss-out, but Mornië Utúlië’s adventures into the void turn out to be way more Darkspace roar than Alcest sigh.  Like the subtle merging of Nosferatu and nebula on the cover, Mornië Utúlië throttle up the terror in in their yawning darkness and never settle for mere atmospheric meandering.

We asked Bartosz Brożek, the man behind the music, about his journey and his newest creation, so you can read all about it after the jump while you stab through the cosmos with Sny and a video for the late-album cut “W Nocy Płynie Chłodny Wiatr” featuring gal-vocalist Ewa Kleszcz.  If you dig, be sure to head over to the Mornië Utúlië’s Facebook site or Bandcamp page, where the album lives.

Live long, prosper, eat the weak and fear your dreams! 

TERRA AT 20,000 FEET: Terra’s “Untitled” Album Stream

You like formless shrieking, right? Hell, what’s NOT to like? Especially when it sounds like it’s taking place in the void of space. Yes, I know technically you can’t hear anything in space, but nobody told these guys that. Terra, despite their name being rather earthbound, go for the more cosmic sort of black metal….

Vicotnik (Dødheimsgard) interviewed

** Dødheimsgard’s new album, A Umbra Omega, is no joke (see mental strongman Vicotnik’s argument at the very bottom). It’s a vicious mind-warp of an album, aggressive in its obtuseness and adventurous in its boundlessness. It’s at once black metal (free think!) and not at all (non-conformist!). A Umbra Omega riffs on, then destroys said riffs on, previous albums 666 International and Supervillain Outcast. This is Dødheimsgard. Extra-dimensional black from the deepest, darkest pits of space and time. A Umbra Omega is ritualistic in its abrasiveness, religious in the outcome of surviving its completeness.

From 666 International forward, Dødheimsgard has imbibed in the weird, the strange, and the obtuse. I figured you would’ve tried to pull the opposite of what you’re known for on A Umbra Omega. Maybe that’s too predictable too. So, you opted to stay weird. Was that kind of the idea?

Vicotnik: It was no specific idea as such, but since I love music, it is natural for me to get inspired by other genres as well. There was really never any moment in my life, where I only listened to black metal. I am also product from that school of reasoning that was very much present in the early ‘90s scene, that plagiarism is the biggest sin of them all. So if you look at 95% of the bands from my era, they all (for good or for worse) evolved in some shape or form. The black metal sound of the ‘90s was in itself a little piece of sonic evolution, since early black metal records of the ‘90s did not really have any specific counterparts from the ‘80s. In addition, you had the x-factor in the ‘90s, because nobody knew what they were doing, and the engineers that were set to produce these records had no knowledge of how a record like this was supposed to sound like. I like the idea of pursuing the unknown factor, that sets the table for creativity. There are viable reasons for bands to produce their record over and over again. They may be based on some sort of ideal, or success-recipe. Inadvertently this also means that these bands, to some degree, have to abandon the creative process. Musically one could say that the main focus of this album is the feeling/atmosphere, while the tools rendered to achieve that sought after atmosphere varied through different creative approaches.

Frank Allain (Fen) interviewed

** UK black metallers Fen have plied the marshes of greatness since debut album, The Malediction Fields. But on new album, Carrion Skies, Fen are out of the swamps they’ve called home and they’re into the wild (dark) urban streets. They’ve gone above and beyond on Carrion Skies, reducing their ethereal qualities to bone-breaking effectiveness….

Through A Hive Darkly…

We’ve sang the praises of trailblazing Philadelphia transcendental slayers Hivelords many a time in this space and so when the band offered to document a recent descent into studio madness for its upcoming full-length Anthropic Records release, we of course eagerly agreed. The reality-refracting entries are below… Part I: A Nash-ing of Teeth Spoiler Alert:…

Holiday Playlist: Db Does VD

So Decibel assumes at this point you’ve got your dozen roses, the perfect card, maybe some wine. All these have been easily attainable and, really, almost unavoidable for the last four to six weeks. Valentine’s Day mood music, on the other hand, has remained maddeningly elusive for those inclined towards the extremely extreme. Until now….

STREAMING: Moonspell “Extinct” + Fernando Ribeiro interviewed

When Moonspell emerged in 1994 with the Goat on Fire / Wolves from the Fog 7″, there was no indication they’d be killing it two decades later. Initially, their homeland (Portugal) was a strike against the Lisbon-based black metallers. The Iberian Coast wasn’t Norway, Sweden, Finland, Greece, or Great Britain; it didn’t have the Nordic…

Encrotchment With Eddie Gobbo From Jar’d Loose: Divisional Weekend

Rage Against the Machine, Arizona Concert Watch, 2015 New Millennium Homes Our first game of the weekend takes place in the House of Pain of Football (hold the Everlast), Gillette Stadium in Foxborough. New England is the serious favorite to win it all. No one is taking Batlimore seriously this year except the cast of…

Playing Catch Up (Again) with Rottenness

“Mexican-American death/grind bands, like to answer telephones and say hello to Decibel hacks on the other end…” It’s been a while since we’ve heard from Mexico’s Rottenness. Breaking up for a short spell during 2012 didn’t help their cause, but the band is back with a new line-up and album in the wings. Gone are…

TMaFLH Update: Foul Spirits

A little more than a year ago, we got in touch with a Kent, Ohio quartet called Foul Spirits who delivered some slimy sludge-death with an EP called Live in Fear.  Now the boys have finished recording their full-length album, called Volatile Versatile, and if you’re interested in the kind of redlined destruction offered by bands like Gaza…

Encrotchment With Eddie Gobbo From Jar’d Loose: Week 15

Please North Korea, threaten a terrorist attack over ALL Seth Rogen and James Franco movies from now on. Vat on the Pats This past week, the inevitable happened: The New England Patriots claimed their sixth straight AFC East title, and are on the fast track (for the millionth time) to the playoffs, with a bye…

Ex-DEP Jeff Tuttle: Onward and Upward

Some of us recognize Jeff Tuttle as a recent guitarist with the Dillinger Escape Plan, where he tore ears and brain matter from 2007 until 2012.  Jeff has also been active as a filmmaker (see his new-ish video for a new Child Bite song here) as he continues his musical pursuits in Old Gods and…

Greber: Not Named After a Goalie

I’d like to take this opportunity to nip something in the bud: Cambridge, Ontario’s Greber is in no way associated with, saluting, paying homage to, or actually even really aware of, former NHL goaltender Martin Gerber. The first indication should have been that the moniker as selected by the two-man sludge/doom monolith is spelt completely…

Encrotchment With Eddie Gobbo From Jar’d Loose: Week 14

Darth Raider Welp, Raiders fans: I hate to say it, but I think I’m going to be retiring Oakland Raiders talk for the rest of the season. With three weeks left, and teams fighting for their playoff lives, I don’t see how a two-win team could be worth mentioning. That said,  I’m going for one last…

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