For Those About to Squawk: Pallbearer, Ascended Dead, Axebreaker
March 10, 2017 Blake Harrison
Our resident birdbrains pecks on new releases from Pallbearer, Ascended Dead and Axebreaker.
Video Premiere: 1476 – ‘Winter of Winds’
March 10, 2017 Emily Bellino
Salem’s 1476 have continued to grow their sound and image, reflected in the video for “Winter of Winds.”
TICKET UPDATE for Decibel Metal & Beer Fest! Only 40 “Metal & Beer” Tix Left!
March 10, 2017 Albert Mudrian
If you’ve been holding out getting tickets to Decibel Metal & Beer Fest, you MIGHT wanna rethink that strategy.
March Into the Dark Past With Crimson Throne
March 10, 2017 J. Andrew
A look into history with riffs, solos and screams.
The Decibel Tour Starts a Week From Today! Get Tickets!
March 10, 2017 Albert Mudrian
We’re just one week from the start of the Decibel Magazine Tour 2017 featuring Kreator, Obituary, Midnight and Horrendous. Don’t miss out; tickets are still on sale!
Demo:listen: Virulent Specter
March 10, 2017 Dutch Pearce
On this week’s Demo:listen, we expose the world to Virulent Specter.
Municipal Waste Grace the Cover of the Decibel Metal & Beer Fest Issue: Available Now!
March 10, 2017 Albert Mudrian
Beer Pressure? Municipal Waste apply it in the Decibel Metal & Beer Fest Issue. The issue is shipping to subscribers now, but civilizations can score the ultimate guide to the ultimate metal and beer weekend here.
Video Premiere: Nathaniel Shannon And The Vanishing Twin – ‘Trespasses’
March 9, 2017 Emily Bellino
Nathaniel Shannon and the Vanishing Twin premiere another unsettling video addition to their collection in support of Trespasses.
Primitive Origins: Salem Mass – ‘Witch Burning’
March 9, 2017 Greg Pratt
Our latest Primitive Origins looks at the strange case of Idaho’s Salem Mass and their sole full-length, Witch Burning.
Track Premiere: The Bug Vs. Earth – ‘Don’t Walk These Streets’
March 9, 2017 Emily Bellino
“‘Don’t Walk These Streets’ was really written as a reaction to feeling absolutely alienated and set adrift in the surreal manifestation of the American Dream that is L.A,” Kevin Martin says. “It’s a smacked out jazz, fuzzed up trip, into a social void, that I wrote after realizing there is zero safety net in the States for anyone that falls off the gravy train. And as a pedestrian walking a lot around the city in my stay during the recording of Concrete Desert, I attempted to conjure the feeling of sheer dread that I felt wandering across the Hollyweird landscape.”