drone

Towers come from Portland, Oregon, and have this awesome sound that’s a strange brew concocted of low-end bass hum and psych-stoner doom, post-punk and krautrock. There is a lot more in there, too. Putatively, it’s metal all right, but with a center so dark and heavy it can pull in all manner of outré influences…

Michael Klassen has never met Daniel Jansson. OK, you’re thinking, why should he? But given that Jansson is the singer in his band, it is kind of weird. Well, unconventional certainly. Klassen plays guitar, bass and provides other instrumentation in Culted, working out of Winnipeg, Canada, with Kevin Stevenson (Drums), Matthew Freisson (guitar/bass/other) and Erik…

Lycus’ debut was one of the best doom albums to leak long-form misery over 2013. A disconsolate epic, Tempest is an album that was thrown up around the desolate heart of a funeral doom sound so dense that it has its own bleak gravity hauling influences from black and death metal, drone and krautrock into…

We always enjoy finding cool new sound-sculptors out in the cyber world, especially when we can use this blog forum to turn other people on to some under-the-radar artists.  We love it even more when those artists’ musical ventures make progress beyond their own self-run webpages. Earlier this year, we featured Ukrainian drone-doomers Nonsun as…

We’ll make this intro concise as possible, so as to allow readers to break on through to the other side that much quicker: A) False Prism and Cavern Apothecary — presented by Sadgiqacea and Hivelords, respectively — are two of the best, most intriguing mindfuck metal releases of the year thus far. B) The bands…

Aelter is a solo project of Blake Green, guitarist/vocalist for Idaho drone/doom duo Wolvserpent. When joined by partner-in-crime, drummer/violinist Brittany McConnell, Green’s work with Wolvserpent (formerly known as PussyGutt) marks its territory across the dividing range that separates riff-orientated doom rock/metal with its abstract spiritual kin, drone. Anyone who has been lucky enough to catch…

It took a lot of guitar amplification to put together Pombagira’s fourth album, Iconoclast Dream. We’re talking some 19, 20 vintage amps and cabs in the arsenal; that’s overkill for most bands, even those more mob-handed in personnel would struggle to justify having such an inventory. But with extreme doom, where tempos are slow and…