Fleshgod Apocalypse vocalist/guitarist Tommaso Riccardi talks about the philosophical concepts behind the band’s new album, King.

The Norwegian legend returns in style.

The renowned disEMBOWELMENT offshoot continues to make a name of their own.

Meshuggah. Gorguts. Nails. Pig Destroyer. Sure, these are some of the most anticipated metal releases of 2016, but what about the best nu-metal coming out in the nu-year?

Since the release of Aluk Todolo’s 2012 album (Occult Rock, natch), the band have been burrowing further into their sound, and now, on the eve of the release of fourth full-length Voix, they treat us to a preview of their rhythmic, dissonant approach.

Grind, D-beat, hardcore and more converge on supergroup’s must-hear latest.

Every so often, we take a little time on Mondays to pay tribute to the Muthas! That is, reprinting the adorable metal/maternal Q&As that run in the magazine. Today, enjoy Justin Norton’s chat with Sandra McGowan, mutha of Atheist’s Kelly Shaefer. 

In 1982, L.A. synth-poppers Missing Persons scored a minor Billboard hit with “Destination Unknown” (“Has it all been said and done? / I know I’ll leave when it’s my time to go / ’Til then I’ll carry on with what I know”).

With a name like Brimstone Coven, it better be good. Hailing from West Virginia, Brimstone Coven take on throwback metal–the kind with real singing–and summon it full-throttle into the present. Rife with roving, mountain-sized riffs that are festooned in fuzz and cleverly populated with harmonious vocals–think vintage Ozzy meets John Lawton–, the group’s new album, Black Magic, represents the new era of ’70s-inspired metal. So, sit back, burn some incense, turn down the lights. It’s Brimstone Coven time.

3… 2… get obliterated in more ways than 1 this New Year’s Eve!