Back on September 8, 2013 Satyricon staged a special show at the Oslo Opera House in Oslo, Norway, in which the black metal veterans performed alongside the Norwegian National Opera Chorus. The end result was exactly what anyone would expect, the band’s distinct music given more drama and gravitas thanks to the haunting vocals by the 60-member choir. The concert was filmed and recorded, and on May 1 Napalm Records will be releasing Live at the Opera as a special DVD/CD package. It’s a spellbinding performance – check out the performance of “Die By My Hand” after the jump – and we recently caught up with drummer Frost to talk about this release, and what’s next for Satyricon.

Read the interview and check out the video after the jump. 

Despite some unfortunate hairstyle choices, Valborg play a pretty unique style of doom. Going for clean and bright where a lot of bands go for dark and dirty, the German trio has found a path less traveled into this oldest of metal genres. There’s something to be said for aesthetics. You can check out the…

Decibel sits down with Shining firebrand Niklas Kvarforth for a quick Q&A before premiering Shining’s new album, IX – Everyone, Everything, Everywhere, Ends, in its entirety. Stare into the abyss, please. You’re known to court controversy. Is controversy part of the overall plan?Niklas Kvarforth: I guess I have been accused of courting some kind of…

Metal has seen its fair share of worship bands over the years (see Black Sabbath’s direct line to every doom band ever), but it’s rare that one comes along whose sole purpose is to pay homage to one specific group and their highly specific style. Enter Gruesome, a bonafide supergroup (members of Exhumed, Malevolent Creation,…

Whether he’s teaching punk rock history at Tufts, lovingly teasing out the deets of the Minutemen’s Double Nickels on the Dime, or weaving an equal parts elegant and gritty tale of New Hampshire have-nots attempting to transcend circumstance in his lovely, affecting Swing State, Michael T. Fournier brings the heavy to his work.  The rising novelist/critic took the hardcore…

The revised and expanded (essentially) 10-year anniversary edition of dB editor-in-chief Albert Mudrian’s Choosing Death is officially available today! One-hundred new pages of content over three new chapters, entailing over 50 new interviews, and brand new Dan Seagrave cover art. To celebrate, here’s an excerpt of all new material! In the fall of 1990, Carcass and Death embarked on a…

If you’ve picked up the most recent issue of Decibel, we hope you’ve flipped through the “Greatest Extreme Vocalists of All Time” cover article.  The list of incredible voices was proposed, discussed, voted on, scrapped, argued about, re-voted on, lost, re-re-voted on, torched, shat upon, and finally selected and sent to print by some intern…

  We’re all familiar with math rock and math metal, but how much rock and metal has actually been written about math? For all your number crunching fun, we’d like to turn your direction towards To Deny Everything That’s Mundane, a split release set to be imminently dropped like a weighty textbook of epic proportions…

If he hasn’t already, I hope Karl Agell gets to read Scott Seward’s “Filthy 50” list from our September 2007 issue (again, probably my favorite Decibel feature ever) and starts downloading compilations from The Day After the Sabbath (Rich has only put together a mere 117 at this point).  After all, the former Corrosion of…

It’s Wednesday, possibly the second shittiest day of the week. Do you feel like some death metal? Of course you do. For your streaming pleasure today we have “Bastards Burn” from Psychomancer’s new EP Inject The Worms, released yesterday by Orchestrated Misery. This is good stuff if bands like Jungle Rot and early Malevolent Creation…