Nick Green

Bananas in your cider? Decibel reviews Banana Them All to Hell!

Upland Brewing Company’s Iridescent sour ale is reviewed.

Decibel reviews the first in Innis & Gunn‘s annual series.

The Jacobite Ale is reviewed.

Have beer innovators Flying Dog found another hit with the Sweet & Smoky Stout?

Decibel reviews the Tequila Barrel Lime Gose from Boulevard Brewing Co.

Is the new collaboration between Stillwater Artisanal / Casita Cerveceria truly On Fleek?

In which we have some sugar poured on us, or at least, in our DIPA.

In which we discuss the sour power of Prairie Artisan Ales’ anniversary release.

Welcome to No Corporate Beer, Decibel’s new beer-spotting, consumer guide where we drink a beer and a then review it. Now that we’ve established that complex formula, let’s do this.

According to BBC Radio DJ Bob Harris, demand was so great for Focus LPs by 1972 that the band’s British label, Polydor, simultaneously ran vinyl at all five of its record plants around the clock. The Dutch quartet’s second full-length album, Moving Waves—alternately titled Focus II—is one of the least-probable success stories of the early…

Over the length of their relatively short, yet remarkably productive, career, Reverend Bizarre distinguished themselves as a highly literate and darkly humorous band, and one of the doom metal genre’s most ardent conservationists and crusaders.

This particular iteration of Napalm Death was notably short-lived, but the sheer amount the quartet was able to accomplish in a two-year run between the summer of ’87 and summer of ’89 is absolutely mental.

No band that rose out of the Pacific Northwest music scene of the late ’80s was as committed to the idea of sonic punishment as TAD.

Even the title of the album suggests an act of grand defiance. Demanufacture. Breaking everything down to the component level, stripping away the inessential elements, salvaging the best parts for recycling and reuse.

Definitely a golden age for hard rock right there, capped off in fitting form in December 1971 by one of the ultimate “cult classics”: Bang’s self-titled debut.

New York City was a creative nexus in the mid-to-late ’80s. Art and fashion swelled up from the underground and converged into an amazingly vibrant and unified expression of culture.

Salt Lake City doom-sludge band SubRosa is a favorite at Decibel HQ, and endeared themselves to us even further when they eschewed predictable “aggro” shots for their back-cover spread in the May 2014 issue in favor of an “action” shot…  in front of a Scrabble board. That was apparently all guitarist/vocalist Rebecca Vernon’s doing, so…

The story of how Melvins ended up on Atlantic is one of the weirdest chapters in the band’s history. In the wake of Nevermind’s multi-platinum success, major labels scrambled to catch lightning in a bottle a second time by scooping up angular, but tuneful rock acts.

Romanian black metal trio Persekutor’s Angels of Meth was the best album nobody heard in 2006, an anger brownie with hatred frosting. Unfortunately, a protracted legal dispute between the band and its former label Thousand Year Reich over rights to the masters has cast an official stateside release in doubt, and the only official copy…

John Darnielle has delighted readers of Decibel since the magazine’s inception with his South Pole Dispatch backpage column, and we are certainly grateful to have his humorous, provocative and thoughtful commentary gracing our pages every month. But Darnielle has a long, colorful history of writing about metal, both as the mastermind behind the long-running Last…

Of course, the Internet has been a boon to intrepid record collectors, in the way it has opened up new distribution channels and ensured that everything you want is two clicks and a few keystrokes away. But the rise of the Internet has also placed a new premium on the act of discovery: If everything…

A sharp blast of powerviolence and sludge, with intricate lyrics and a pitch-perfect cover of Napalm Death’s “You Suffer,” Maine trio Robocop’s 2011 full-length Robocop II is easily one of the best releases on Grindcore Karaoke to date. Maybe we’re a little biased, because Robocop guitarist Ryan Page is consistently one of the most droll…

In the current issue of Decibel, Master Chef contestant Derrick Prince dishes on his recent experience as a finalist on the Fox cooking competition. So, what was it like going before that judge’s panel? “Gordon Ramsay is like one of those angry football coaches you see on TV – they’re rough and they scream at…

There’s an old fake news headline from Buddyhead (I think) that applies to the task at hand, but I’m scrambling to source right now. The basic gist is “Mike Patton Takes a Shit on Microphone, Releases It,” and while that’s entirely fair to Mr. Patton, it also describes about 85 percent of the Ipecac catalog…

Recently retired closer Trevor Hoffman has a clear shot at the Baseball Hall of Fame, courtesy of his gaudy career saves total. He also had one of the greatest intro songs ever as a member of the San Diego Padres and Milwaukee Brewers bullpens—AC/DC’s “Hell’s Bells.” As Andrew Bonazelli’s Q&A with former Minnesota Twins/current Padres…

In the run leading up to 1991’s Goat, “Tight N Shiny”—a corrosive instrumental from the band’s transitional LP Head—offered a regular excuse for Yow to take a much-needed smoke break and introduce the unsuspecting audience to the art of genital origami.

At present writing, acclaimed director Julie Taymor and Bono and the Edge of U2 are putting the finishing touches on a musical version of Spider-Man. Bet you never thought you’d see something like that in your lifetime. But here it comes, along with a host of Broadway adaptations of familiar properties, like crappy movies (Toxic…

The story of Refused’s last—and best—album starts with the first line of Allen Ginsberg’s “Howl,” which drummer David Sandström scrawled across one wall of the band’s recording space as a mantra: “I have seen the best minds of my generation destroyed by madness.”