September 5, 2016 Chris Dick
To a small number of people, Eucharist are legends. They were, in effect, part of the new wave of Swedish death metal, where outright brutality was replaced by cleverly designed aggression and insane heaviness was supplanted by unheard of musicality. That Eucharist, for a spell, shared rehearsal space with early incarnations of At the Gates and Dissection should speak volumes. And it does.