One of Cannibal Corpse’s more infamous albums is Eaten Back to Life. The theme of Cattle Decapitation‘s Flexi Series debut, “Cannibalistic Invasivorism,” might as well be “eaten back to death.”

It was an honor to moderate a roundtable discussion featuring a good friend of mine and great writer, Dave Hofer, and a metal legend like Danny Lilker. 

If you are anywhere in the vicinity of Philadelphia and possess an affinity for plunging into surreal, beguiling, lush alternate universes, do yourself a solid and head over to Arch Enemy Arts for the epic, wondrous exhibit of hometown fine artist and designer Paul Romano — probably best known to extreme music fans for his work with Mastodon, The Red Chord, Hate Eternal, and a raft of others.

A few months ago, French grinders Nolentia and stoner doomers, Drawers were invited to participate in 2015’s edition of the long-running Brutal Fest, an annual tour that brings European bands to Cuba. We got in touch with Nolentia guitarist/vocalist, Ghis and Drawers drummer Olivier Lolmede to get an account of the experience.

Abnormal Thought Patterns premiere a djent-y epic from aptly titled forthcoming third album Altered States of Consciousness

Lucifer I offers eight very good reasons why we gave occult super-duo Lucifer their very first national magazine cover; second track “Purple Pyramid” just may be the best.

Untouchable. That’s Hate Eternal since 1999’s Conquering the Throne effort. It’s now 2015 and the Erik Rutan-led death metal powerhouse show zero signs that time is our most maligned enemy. In fact, Hate Eternal are more blistering now than they were when George W. Bush was leading the charge of a large-scale (and largely unjust) war in the Iraq. OK, so times don’t change too much, regardless of who is in charge. But Hate Eternal, regardless of release or year of release, continue to be relevant, vital, and crucial to all things extreme.

“Torn Asunder” marches forward with an authority that belies this three-year-old outfit’s age.

The late Robert Hazard had a stellar pop music career, even if he never became a household name. Perhaps his best known accomplishment was writing  Cyndi Lauper’s “Girls Just Wanna Have Fun.”  But Hazard had a melancholy side, best evidenced by his 1982 song “Escalator Of Life.” The song — for all intents a dark wave tune despite modest chart success — was a critique of 80s consumerism. The New Jersey metal duo Stygian Depths recently reimagined the song.

Tomorrow on Relapse, you’re going to do the right thing and pick up the reunited-and-it-feels-so-fucking-brutal Skinless‘s first new album in nine years, but today, preview the entirety of Only the Ruthless Remain right here on the Deciblog.