Day 0 – BUFFALO, NY – SAN DIEGO, CA This year marks the 28th anniversary of the first and last time I ever visited my mother’s country of birth, the tiny Caribbean island of Dominica. There are a lot of things about that journey that are surprisingly fresh in my memory: the hurricane-beaten exteriors of…

Steele (who was still working for the NYC Parks Department), guitarist Kenny Hickey, drummer Sal Abruscato and producer/keyboardist Josh Silver descended upon Systems Two in Brooklyn to record the album that would propel them into the bright lights and big titties of international rock stardom.

As convoluted back-stories go, it doesn’t get much more tangled than the one behind Pentagram’s Relentless.

After 60-plus Hall of Fame inductions, one thing that stands out is that precious few of those albums contain and are best known for a single truly classic song.

Contrary to popular belief, the New Wave of Swedish Death Metal—also known by its acronym NWOSDM or synonym “The Gothenburg Sound”—wasn’t a cohesive movement.

Saint Vitus were a living, breathing anachronism in every possible way.

If black metal was defined by a single year, it would have to be 1994.

As the popularity of our Hall of Fame feature grows, so do the chances of us throwing a wild card at you folks.

It’s strange that the one of the cornerstones of doom is actually one of the most lyrically positive albums in the entire secular metal canon.

In early 1982, Accept were in dire need of an identity, onstage and especially on record.