Blast Worship: Gastropod

Midwest grindcore crew Gastropod marry a caveman aesthetic with a progressive approach to performance.

LUVVIN’ THE HATE: EVERYDAYHATE RECORDS REVIEW ROUNDUP

A year or two ago, I did a ‘Black Label Debutante Ball’ profile on Poland’s EveryDayHate Records.  A couple weeks ago, a massive package of vinyl and CDs showed up at the house and I’ve decided to focus this week’s blog post on all the goodies emerging from EveryDayHate’s Krakow offices.

Worldwide Obscenity and Extremity: An Interview with Obscene Extreme’s Curby

Since 1999, Miroslav “Curby” Urbanec has been putting on the Obscene Extreme Festival in Czech. Billed as a “freak friendly extreme music festival,” OE has faithfully and respectfully catered to the grind, crust, punk, hardcore and death metal hordes. We caught up with Curby to ask about trying to book obscenity and extremity for one part of the world from the other.

Kevin Stewart-Panko’s 7 Inches of Pleasure, Pain and Mediocrity

I get sent a lot of shit* to review; more than I can fit in any one place at one time. But because folks out there take the time to send me their wares, I usually feel obligated to give some sort of mention, nod, kudo or deliver a full-on scathing, hatchet job to those…

Throw Me a Frickin’ Label Hack: Brazil’s Bode Preto

Because every day another band records another song.  Because 83% of those songs are unlistenable and you can’t be bothered to sift through the dreck.  Because metal is about not giving a shit and waking your own personal storm.  Because this post was up last week for about a minute, but you didn’t see it,…

Seraphic Decay Lives!

Seraphic Decay was a Midwest-based death metal label that enjoyed a productive, if very short, existence. The first release was a 7” by Ohio maniacs Minch, but releases by Rigor Mortis (pre-Immolation), Incantation, Mortician, Derketa, Disgrace, Abhorrence (pre-Amorphis) Agathocles, Disgrace, Xysma, and few more culties soon followed over the course of 1990 – 1992. At…