When Black Metal Was Cool

By: shane.mehling Posted in: featured, listen, videos On: Wednesday, December 7th, 2011

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Nowadays you can pick up an inverted cross stained with the blood from a virgin sacrifice in a mall kiosk, but back in 1994 people were still shitting their knickers over religious desecrations and swore Satan himself was tremolo picking a pawn shop Jackson reverse headstock.

Via The Gauntlet:

Everyone knows the stories of the Norwegian black metal scene in the early nineties. The church burnings, ritualistic killings, robberies, etc. It is interesting to see how the media treated it at the time. Below is video footage from a British TV newscast circa 1994 warning parents who had kids of the likes of Mayhem, Darkthrone, and Cradle of Filth. They even interviewed a priest who wanted the music banned for its blasphemous nature.

The video is about four minutes and contains pretty much everything you could want: The aforementioned overreacting priest, a bad mother who blames black metal for her son fucking up a cemetery, a line about how you can’t make out the lyrics, some “home video” footage of Emperor which looks awesome and a guy with long hair tapping his foot to the music. Does anyone know what record that is?

Top 5 Most Unfortunate Extreme Metal Band Names

By: Chris D. Posted in: featured, gnarly one-offs, lists On: Wednesday, December 7th, 2011

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5. Carnifex
There’s nothing wrong with Carnifex per se, but whenever I hear the band’s name—which is rare—I immediately think Carfax. Sure, word ‘carnifex’ has a brutal origin—meaning ‘executioner’—, but the omnipresence of the Carfax Fox on television has potentially altered my reality. And who says carpet bomb advertising doesn’t work. Oh, random factoid. Salad Works, the company that makes fast-food salads for dayjobbers, used be known as “the original salad tossers”. No joke.

4. Gonoreas
I bumped into Gonoreas during a prolonged deployment on review duty for Decibel. Actually, this Swiss power metal band was formerly known as The Gonorrheas (MNSFW), which sounds like a super-aware hardcore band from Malta. You know, “fuck the sex / there’s too many problems / they get in the way / we sure could live without them”. Well, the name change didn’t help much to dispel the fact that song titles like “Get What You Deserve”, “My Love”, “Without You”, “Break Out”, “Imagine You Were It” could all be theme songs for STD prevention commercials.

3. Deaf Auditorium
Don’t really know where to begin with Deaf Auditorium. Originally hailing from Zagreb, Croatia, the now-defunct quintet had the unfortunate option of pairing ‘deaf’ with ‘auditorium’. Guess they didn’t like high school that much. Then, they paired death and black metal, sounding like a half-competent Cradle of Filth—which is more than we can say for Hecate Enthroned and Ancient—on certain songs and then Vader clones the next.

2. Unfit Ass.
OK, there’s Ass Ache, Goat’s Ass Trumpet, and Ass Flavour (replete with the ‘u’), but the band that takes the race is Hungarian outfit, Unfit Ass. Interesting. Like fellow Eastern Europeans Deaf Auditorium in position #3, we really have to wonder what was going through their collective heads at the time. “Zoltan, what about Tractor Treads?” … “No, we’re going with Unfit Ass. It’s brutaller. Everyone’s ass should be fit.” Actually, Unfit Ass. is the shortened form of Unfit Association, and these Magyar heshers knew how to stir a Third World pit when they formed in 1990.

1. GoatPenis
Now, I’m sure poking fun at these Brazilian war metallers is akin to poo-pooing on Sarcófago’s INRI album, but the first time I heard someone—a black metaller by trade—utter the concatenation GoatPenis with the same seriousness nations consider the outcomes of all-out war, I laughed hysterically. And then he showed me the demo cover. This was back in 1994. When anything black metal had to be true and, of course, from Norway. Well, sad little GoatPenis had the true thing down—they called our lord and savior a coward of all things!—but were from the sweltering South American country of Brazil. Unlike most early ‘90s Norwegian black, GoatPenis is still trucking today. And, hey, GoatPenis is better than, for the purposes of this list, Porky Vagina.

2012 Hard Rock/Metal Grammy Noms Revealed, Hilarity Ensues

By: adem Posted in: featured, heavy tuesdays, stupid crap, videos On: Tuesday, December 6th, 2011

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Sure, ripping the annual Grammy nominations (and then later the inevitable head-scratching winner, see above) is like shooting fish in a barrel, but we must point out that to be so utterly clueless about a major part of the music business (metal) for so long really does take some effort. At this point we can’t help but think they are doing it on purpose, just to see the howls of despair from the metal crowd.

The big reveal was last week and, even though they god-knows-why combined the hard rock and metal categories this year, they still managed to find a way to fail:

Dream Theater – “On the Back of Angels”
Megadeth – “Public Enemy No. 1″
Foo Fighters – “White Limo”
Mastodon – “Curl of the Burl”
Sum 41 – “Blood In My Eyes”

Can you spot the one that just doesn’t fit? Of course you can, dear metal fan, because you are not an idiot. They had to stick Sum 41 in there, because apparently Metallica hadn’t recorded any cover tunes that they could nominate (and then give the Grammy to to make up for, well, see above). A blind chicken pecking at piece of paper with all the actual hard rock/heavy metal albums recorded in 2011 would have made a better nomination. Seriously, Recording Academy, you couldn’t come up with five hard rock/heavy metal bands?!

So, we salute this annual celebration of mediocrity—which inevitably features a nominee doing a cover song, or a live version of a song originally written three decades ago—with horrible bands covering shitty songs (future Grammy noms, perhaps?). We know this is a stretch, but go with the humor here.

The only thing worse than Nickelback is another Canadian band not named Nickelback covering their songs. Why, Sum 41, why?!?

We don’t want to seem like we’re picking on Canadians here, but Avril Lavigne’s toneless rendition of an already mediocre Metallica tune seems like perfect Grammy fodder.

This is the kind of crap that the Grammy’s love—a radio-friendly “metal” band doing a retro Top-40 tune. These are things we can do without, indeed.

So, lemme get this straight, a band that’s like a third-rate version of Bush, who are a third-rate version of Nirvana are doing a cover of a super-fey pop song from the ’80s? Yeah, that sounds great.

A tip for 2012 nominee Dream Theater: If you wanna win a Grammy for real (we all know that this one’s going to Sum 41, right?), next year come armed with an epic studio version of this tune.

Morbid Angel “Existo Vulgore” Set Visit

By: Shawn Macomber Posted in: featured, interviews, videos On: Tuesday, December 6th, 2011

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Morbid Angel recently invited Decibel to the set of the band’s upcoming video for “Existo Vulgore.” We didn’t spot any strange winged demonic creatures skulking about, alas, but it was a good time nonetheless and during the drive from Morbid HQ in Tampa to Seminole’s Studio 75 David Vincent graciously answered our questions, riffing on video concepts, the controversy over Illud Divinium Insanus, and what it takes to stay Morbid more than two decades on from Altars of Madness.*

* Full disclosure: This interview does not cover lemon pie, Goo Goo Dolls or monkeys.

INTERVIEW: Retox’s Justin Pearson on punk sincerity, Ugly Animals, extremity and running for office

By: jonathan.horsley Posted in: featured, interviews On: Monday, December 5th, 2011

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Clocking in at 13 minutes or so, Retox’s debut rager Ugly Animals only just falls into the LP category. But, shit, it packs enough aggression, energy and compositional cordite to compensate anybody who is bummed out from holding out for a longer running time.

The San Diego quartet don’t fuck around—at least not with the message, nor their hyper-kinetic sound, a sound that spins at the outer limits of control on a well-oiled axis of punk/hardcore and is pocked by screams and freak-outs. Ugly Animals is exactly as fierce as you could expect of a band assembled from a quartet of individuals whose previous convictions include the Locust, Head Wound City, Holy Molar, All Leather, Some Girls, Swing Kids, Le Butcherettes, Cattle Decapitation, Struggle, The Festival of Dead Deer, and The Crimson Curse. There can be few drummers who can match Gabe Serbian beat for beat. But shit, collectively, Retox are in your face from the get-go.

Vocalist Justin Pearson is maybe best-known for serial audience ablating alongside Serbian in experimental noise/grind troupe the Locust. But shit, his work running 31G Records, as an author, and as a guy who since his teens has been involved in the underground, getting his hands dirty and shouting himself hoarse is every bit as compelling a back story.

The Deciblog fired some email questions to Pearson just as Retox were leveling dives in Europe.

STREAMING: Alcest “Autre Temps”

By: Chris D. Posted in: featured, listen On: Monday, December 5th, 2011

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By now, Alcest’s “Autre Temps” isn’t necessarily a Deciblog premiere, but instead of streaming it on YouTube in-between clips of ninja squirrels and keyboard baby Amur tigers you can listen here where you belong. “Autre Temps” is the lead-off track to Alcest’s upcoming, much-anticipated full-length Les Voyages De L’Âme, and true to form it features jangly chords, pensive chorals, pretty movements, and no black metal vocals from front-mage Neige.

For those that fear Alcest have gone off the shoegaze deep end on Les Voyages De L’Âme, we can confirm Neige’s spectral black voice returns and there are blast-ish beats. In fact, Les Voyages De L’Âme is very much like the Alcest of old — particularly Écailles de Lune — but just more refined, more gauze-like (i.e., gossamer-y), yet still awesome with a bigboy “A”.

Alcest – Autre Temps by Decibel Magazine

** Alcest’s new album, Les Voyages De L’Âme, will be available January 2012 on Prophecy Productions. Pre-order it HERE.

** Check out a Alcest’s video for “Autre Temps” here.

For Those About to Squawk: Waldo’s Pecks of the Week

By: andrew Posted in: a fucking parrot previewing new releases, featured On: Friday, December 2nd, 2011

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Every other Friday, Waldo the African Grey Parrot, frontbird of thrash-grind immortals Hatebeak, will get you caught up on the week’s latest “extreme” releases.

Hey. As the year winds up, so do the releases; not many labels are pushing too much now. And as the releases wear thin, so do my ironic puns, and all the drier are my insults.

From the frosty wintered norths of Austrailia come PESTILENTIAL SHADOWS, obviously a black metal band given the name. Featuring ex-members of Naxzul, Depths is not a bad record; it’s just pretty standard black metal fare. Any fan of the genre would like this, but there’s not a whole lot to sink your beak into. Just your standard wailing over trem-picked guitars with some dissonance thrown in to boot. Not much here deviates from what you’d expect; it’s a little more polished than previous efforts from these guys… not as guttural or raw, but still there. This is boringly generic and leaves as many surprises to the listener as a priest in an elementary school. If you like black metal, go check this out; if not, this is also a passable introduction, albeit an entirely bland one. 6 FUCKING PECKS.

KORN are back at it with SKRILLEX (whoever the fuck that is), with a scattered-sounding release. Fuck this. 1 FUCKING PECK.

WE ALL HAVE DAY JOBS. Let’s fucking hope. Actually, who cares? Worst band name ever. 2 FUCKING PECKS.

Coming in for second worst band name this time, RABID RABBIT. Didn’t even bother listening, passed on name alone. 1 FUCKING PECK

AUSTRIAN DEATH MACHINE are releasing what I can only HOPE is a Christmas record. This makes Hatebeak look downright intelligent. Jingle All the Way. Just be thankful that this is a single and not a full release. Come the fuck on. I mean, really, this review period is just fucking insulting. 1 FUCKING PECK.

My old school peck is avant grinders DISCORDANCE AXIS: weird tape loop riffs with blastas and some of the best screams around. Dave Witte is the man.

More Proof That Cats Are Our Overlords

By: jeanne.fury Posted in: featured, pic of the day, stupid crap On: Friday, December 2nd, 2011

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File this one under, “How the shit did we not realize this sooner?!?!?” When your precious Floofy goes to clean his/her junk, Floofy is actually HAILING SATAN. Cats can’t throw the horns because they don’t have hands, but they are surely committed to darkness and have devised an evil substitute for the human race’s weak-ass two-finger salute. Oh, everybody thinks cats are self-cleaning machines, with their thorough grooming rituals. They’re partaking in a ritual, all right, a FUCKING SATANIC RITUAL. Take a moment to pick your jaws up off the floor. We are such poseurs, I can’t even deal. The Decibel offices are closing early due to shame and massive un-tr00ness. But don’t worry, humans. We will not go out like that. In fact, Albert and Andrew are having a secret meeting as I type this. They’re trying to re-create the feline five-point butt-licking dark star position to put the human race on par with the feline species when it comes to Satanic skills.

The human who discovered and documented this mindblowing phenomenon is artist Jerrod Landon Porter. On Jerrod’s Facebook page, he describes how he came to be enlightened that cat butt-licking is akin to worshipping the Dark Lord:

so, the story behind this cat pentagram is this… when i was 12 i was taking a picture of my cat. when i got the developed roll back i saw that she had started cleaning herself when i took the photo and her tail and legs made 5 points like a pentagram. i thought it was so evil and awesome! since then my beloved cat has passed and the photo lost. i know people have been asking for shirts, but i am trying to figure out a way to make them as available as possible without being a greedy bastard and making a buck off a tribute to my awesome cat.

Okay, so not only is Jerrod an observational genius (and, like, a really talented artist), he is a decent human being who doesn’t want to befoul his cat’s memory in the name of cashing in. Please ignore him. The design is in the running to be made into a T-shirt on Threadless.com. Go to the page immediately and vote for Jerrod’s awesome design so that it actually gets made so we can make it the official uniform of Decibel magazine. And as soon as Andrew and Albert can strike this pose, you best believe we’re putting that shit on a T-shirt and selling it for profit.

Now stream this: AELTER “Dusk-Dawn/Follow You Beloved”, beat-relieved doom/drone from Wolvserpent’s Blake Green

By: jonathan.horsley Posted in: featured, listen On: Friday, December 2nd, 2011

Aelter

Aelter is a solo project of Blake Green, guitarist/vocalist for Idaho drone/doom duo Wolvserpent. When joined by partner-in-crime, drummer/violinist Brittany McConnell, Green’s work with Wolvserpent (formerly known as PussyGutt) marks its territory across the dividing range that separates riff-orientated doom rock/metal with its abstract spiritual kin, drone. Anyone who has been lucky enough to catch them live can attest to their introverted, reflective presence, one specializing in slow-cooked intensity, feedback and experimental dirge. See below for footage from last year in New York and you’ll get the better idea.

Wolvserpent live in NYC:

Having released three albums as PussyGutt, Wolvserpent released their debut Blood Seed last year through 20 Buck Spin. It was slo-mo riff meditation, skewed with an elegiac late-Fall/early-Winter rural vibe, and a sense of despondency that’s only really communicable at slower tempos.

But Aelter strips away Wolvserpent’s percussion and goes easy on the fuzz pedal, in much the same fashion as Seattle drone progenitors Earth’s latter work. The press puff says Aelter could exist on 4AD or something, and sure you can hear a little of the Cocteau Twins in the vocals and somnambulant harmonies. Courtesy of the good people of Crucial Blast we’ve got a stream of Green’s first two albums with Aelter, Dusk-Dawn and Follow you Beloved, both of which have just been reissued through the label on a double CD package.

While Follow you Beloved is still available on vinyl, Dusk-Dawn is out of print, so this CD reissue is your best chance of grabbing it. Those looking for some boutique doom for a Christmas gift, or just something to smoke a bowl to or help you come down off the blast-beats and chill, you can pick it up here.

And you can check it out right here:

And The Headlines Scream…Part II

By: kevin.stewart-panko Posted in: featured, lists, stupid crap, uncategorized On: Thursday, December 1st, 2011

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While it may not be a slow day in the world of news as it pertains to extreme music – Pennsylvania “fuckrock” band Gods & Queens are still fuck rocked in Europe; Mexican gore grinders Rottenness are, last I heard, still stranded in Texas on tour after spending the money they allotted to get home on tequila, tuna and Brutal Truth merch; Hirax absolutely ruled the Goregrowlers Ball in San Antonio two weekends ago; my kid recently penned another of his scathing show reviews after interviewing Dragonforce in Toronto last month – it’s a fast day in the world of laziness and motivational dearth as it pertains to yours truly. And while it’s never a pretty sight when laziness and deadlines collide, it happens all the time in my world where laziness is a lifelong trait and I work in a field where meeting deadlines is half the battle. So, I figured I’d stay true to the sloth my father has loved to point out ever since I took my sweet old time sliding down my mother’s birth canal and this whole Thursday afternoon Deciblog thing I’ve signed up for (“Wait, you mean EVERY Thursday?!”) and take a gander at all the news that’s fit to laugh at on Blabbermouth and give y’all a look at this week’s most awesome headlines.

DAVE MUSTAINE SAYS U.S. GOVERNMENT IS TRYING TO GET RID OF THE MIDDLE CLASS
I will forever be at a crossroads when people who haven’t been part of the middle class for decades show their concern for the rich getting richer and the poor getting poorer and those a little bit less than poor not being able to spend their money on Th1rt3en.

FORMER EUROPE GUITARIST TO STAGE FIRST EVER “KEEFEST”
This rules! Former Europe guitarist Kee Marcello is lining his ass up for the final countdown by staging a fest at a big-ass race track/complex outside of Gothenburg in late June. He’s expecting people to saunter over from all corners of mainland Europe and Scandinavia despite not yet having booked anyone outside of his own ego to perform.

TRIVIUM Vs. IN FLAMES: “FOOD WARS” CLIP POSTED ONLINE
According to this compelling bit, the members of In Flames hooked up with Trivium’s Matt Heafy in a battle of food connoisseur-ism, NOT to see who’s written the more reprehensible metal in recent memory. The meeting took place at a Gothenburg restaurant owned by the members of In Flames and was taped for television posterity. Insert your own wise cracks here.

JANE’S ADDICTION SINGER OUTRAGES BRAZILIAN FANS
Outrage averted when the website hawking tickets for the Brazilian run of Lollapalooza crashes due to overwhelming demand. Either Brazilians, as a people, love being insulted or someone’s making a big deal out of innocuous comments from the mouth of Perry Farrell. You decide.

DUFF MCKAGAN SINGS MOTÖRHEAD’s PRAISES
In other news, every metal head ever sings Motorhead’s praises.

TIM ‘RIPPER’ OWENS PERFORMS ACOUSTICALLY AT HIS OWN RESTAURANT
That Keefest guy should take a lesson here: there’s no need to rope off an entire racing complex for an ego stroke. Just open your own “rockin’ sports eatery,” pack the house then lock the doors. Game, set and match.

FORMER THE RUNAWAYS BANDMATES LITA FORD AND JOAN JETT MEET FOR THE FIRST TIME IN YEARS
The follow-up story in which Lita gets pissed at Joan for calling her by her full name (Carmelita, by the way) while reminiscing over the 70s hair styling tricks they used to achieve those flowing locks and killer, center parts proves to be marginally more exciting.

GUNS N’ ROSES BASSISST: “FOR THE MOST PART, AXL TELLS US WHAT HE WANTS.”
The news here isn’t that former Replacements bassist Tommy Stinson has been GN’R for 14 years (14 years?! Who knew?), it’s that after a decade-and-a-half he still hasn’t figured out what the hell is going on under his own nose, what the meandering Axl Rose is trying to do or where the band is going.

GUNS N’ ROSES BASSIST ON AXL’s CONCERT TARDINESS” “HE DOES HIS BEST TO GET OUT THERE ON TIME”
See what we mean? Also, when asked if the band is in writing mode three years after Chinese Democracy, Stinson replies he’s not sure. Geez, wouldn’t it be obvious if the band you’re in was in the process of writing an album? There have been many calls for the GN’R moniker to rest in peace. “Axl and the Enablers” seems as good a name as any.

AC/DC FANS UPSET SIGNATURE SONG USED IN WALMART COMMERCIALS
…but remain surprisingly non-plussed about none-too-subtle placement in Maximum Overdrive, Jerry Maguire, Little Nicky, School of Rock and Iron Man

FORMER BLACK SABBATH SINGER TONY MARTIN CONTEMPLATING RE-RELEASING DEBUT SOLO ALBUM
Funny, those slogging it out in the trenches of the music industry go on and on about no one buying records anymore, yet will still contemplate making available an album no one wanted in the first place.

KISS SHRINE INTERFERES WITH TELECOMMUNICATIONS COMPANY’S SERVICE
America’s fastest, most reliable network thwarted by Peter Criss action figures and a replica pair of Gene Simmons’ platform boots.