By: zach.smith Posted in: featured, interviews, listen, lists On: Thursday, September 25th, 2014
Instead of rambling on about how great the new Winterfylleth album is and coming up with some clever way to introduce what Chris Naughton decided to cover in his playlist (spoiler alert: it’s one of my favorites), we’ll just let the guitarist/vocalist handle the intro himself:
“Considering topics that would make for an interesting playlist relating to Winterfylleth led me down thought paths to a number of things. History, England, heritage, war, society, politics and even activism came up, but to distill it back to its purest essence and consider the original spark for what led to Winterfylleth’s creation, it primarily has to be landscapes, and then allied to that a link with local history/ancestry as well. Landscapes evoke such a visual, mental and physical reaction within people – and indeed within me and my bandmates – particularly if beheld in person. The coming together of so many different elements to formulate this visual/physical experience is not unlike the making of an album, with each bit of a landscape contributing to the overall beauty of the view, like instruments and layers contribute to the sounds on an album. I can remember walking around the Peak District, Snowdonia or even places like Alderley Edge in the early days of our band and feeling inspired to write music to capture that awe and the epic beauty in nature and in the surroundings. I think we managed to achieve that in our own way on the three albums we have made to date, and, to a potentially greater extent on the release of our upcoming fourth. It happens that we weren’t the only people to have felt this compulsion and what I wanted to share with you are some songs by bands we love or that have inspired us; ones who also capture the very essence of their environment and their history through the music they make and the imagery they portray.”
After you check out his picks, be sure to pre-order a copy of The Divination of Antiquity, here (out October 7th) and stay tuned for the rest of his selections next week.
Enslaved’s “Roots Of The Mountain” (from 2012′s RIITIIR)
Having had the privilege to tour with Enslaved for three weeks last year, we got to see one of our favorite bands play every night while touring this album. The track “Roots of the Mountain” stuck out as such a massive moment in their set and is a real highlight on the album. I’ve had countless conversations with friends about the merits of new/old era Enslaved, but to me they’ve always continued to get better and better. This track shows just how good they are.
Drudkh’s “Summoning The Rain” (from 2004′s Autumn Aurora)
I heard Drudkh back in the early 2000s when they were a small, obscure black metal band from the Ukraine through our friend Martyn Patterson – “Doomlord” to many folks we know. To this day, I think it remains my favorite of their albums and was probably among the catalysts for wanting to start a black metal band in the first place. I’d heard all the old classic black metal albums coming up through the years, but it was this album in particular that really spoke to me in the way it could link melody and folk influence into what is essentially quite an aggressive style of music. The track I’ve selected here is a particular highlight for me and really typifies the Drudkh style. I would also recommend the album Blood in Our Wells if you care to look into their discography any further.
Primordial’s “The Coffin Ships” (from 2005′s The Gathering Wilderness)
Primordial is a huge influence on Winterfylleth and really instilled in us a sense of just how a band affects people both emotionally and physically with their music. I dare you to see a Primordial live show and not well up a little bit watching them play this song. Written about a defining point in Irish history – the Great Famine – this is the story of a national tragedy that could have been avoided, but due to greed, religious indoctrination and imperialism, was not. This is their tale of heartbreak and loss about how their people were treated and what it left them with. A stark reminder of a big lesson our respective world leaders should learn (but choose not too), particularly with all the devastating conflicts going on at the moment. It’s also an amazing riff driven track as well.
Ulver’s “Capitel I: I Troldskog faren vild” ["Chapter I: Lost In A Forest Of Trolls"] (from 1995′s Bergtatt – Et eeventyr i 5 capitler)
Ulver, like Enslaved, is a band of two eras – although Ulver arguably took it even further than Enslaved when moving into their modern style. Again, I’ve heard positives for both old and new material and again I actually love both, but for different reasons which I won’t go into now. We all have a huge soft spot for the black metal material and particularly Bergtatt, which is a very atmospheric album that really sticks out because of the clean vocal passages and the flowing writing style of the songs. I’m on the team that would encourage Ulver to put aside their ill feeling towards their older material and play some shows with it. The fans would love it and I think it needs to be heard in that environment. They managed to start playing live after many years of not doing so; now we just need them to take it one step further!
Hate Forest’s “The Gates” (from 2003′s Purity)
This is probably my favorite black metal song of all time, to the point where Winterfylleth actually did a cover version of it earlier this year that came out on a split 12” EP with Drudkh. It’s pure savagery from start to end and is just amazing riff after amazing riff. Having gotten to know Roman (the guy behind Hate Forest and Drudkh) in recent years, it has been really interesting to discuss his perspective on his nation’s history – him being from the Ukraine – and how that has fed into the music they have made in both Hate Forest and Drudkh. It has also been quite eye opening as well in the sense that he lives 30-40 miles from the frontlines of conflict between where Russia is invading his country and his folk are trying to preserve their livelihoods and way of life. A strong reminder of just how close to home these types of things can be.
Bathory’s “One Rode To Asa Bay” (from 1990′s Hammerheart)
Bathory doesn’t need much explanation. Masters of the clean vocal chant and pioneers of folk influenced (black) metal, they are just fantastic musicians and an essential listen to anyone into the style of bands I’m talking about here. Hail Quorthon (RIP).
*Stay tuned for Part 2 next week!
**Photo by Ester Segarra
***Pre-order a copy of Winterfylleth’s The Divination of Antiquity here.
****For past Decibrity entries, click here